Mike Oldfield is a bit of an enigma. On the one hand is the artist who almost single-handedly ushered in the genre of new age music with his epic masterpiece Tubular Bells, and then followed that with several albums, Hergest Ridge, Ommadawn, and even Tubular Bells II and III, all with tracks that invariable meandered for half an hour or more through various musical ideas and soundscapes – and no doubt would have gone on a lot longer had it not been for the constraints of vinyl and the restrictions on the length of musical compositions that would physically fit on two sides of a piece of plastic with micro grooves…