Neil Usher Unfucking Work

Hammill began work on The Fall of the House of Usher back in the early '70s, yet it didn't see the light of day until the early '90s as a hard-to-find European import. He didn't feel it was completely finished until 1991; hence its elongated delay. This rock opera is comprised of six acts, and is based on an Edgar Allan Poe tale with small changes to the story here and there…

Hammill began work on The Fall of the House of Usher back in the early '70s, yet it didn't see the light of day until the early '90s as a hard-to-find European import. He didn't feel it was completely finished until 1991; hence its elongated delay. This rock opera is comprised of six acts, and is based on an Edgar Allan Poe tale with small changes to the story here and there…

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

Given the quirkiness of Neil Young's recording career, with its frequent cancellations of releases and last-minute rearrangements of material, it is a relief to report that this two-disc compilation is so conventional and so satisfying. A 35-track selection of the best of Young's work between 1966 and 1976, it includes songs performed by Buffalo Springfield, Crosby, Stills, Nash & Young, and the Stills-Young Band, as well as solo work. In addition to five unreleased songs, Decade offers such key tracks as the Springfield's "Mr. Soul," "Broken Arrow," and "I Am a Child"; "Sugar Mountain," a song that had appeared only as a single before; "Cinnamon Girl," "Down by the River," and "Cowgirl in the Sand" from Everybody Knows This Is Nowhere; "Southern Man" and the title track from After the Gold Rush; and "Old Man" and the chart-topping "Heart of Gold" from Harvest. This is the material that built Young's reputation between 1966 and 1972, although he is more idiosyncratic with the later material, including the blockbusters "Like a Hurricane" and "Cortez the Killer" but mixing in more unreleased recordings as the set draws to a close.