Neon Gods Katie

English listeners went mad for Katie Melua with the release of her debut album in late 2003. Issued domestically in June 2004, Call Off the Search posits the lovely Melua pristinely in between pop, adult contemporary, and traditional American musical forms, with savvy marketing handling the finishing touches. (Think Norah Jones.) It's a comfortable, lightly melodic affair that drinks red wine safely in the middle of the road. Raised in Soviet Georgia and the United Kingdom, Melua has a beguiling accent that colors the ends of her phrases, adding character to her velvety, if occasionally only satisfactory singing voice.

With combined U.K. album sales of nearly three million copies, Georgian-born Katie Melua has quietly become one of the biggest-selling female artists of the decade. Without the media profile of Britney Spears, the powerhouse vocals of Anastacia, or the critical acclaim of Dido, her success has been based purely on old-fashioned songs that have managed to have appeal beyond the usual folk-pop market. Indeed, just like her biggest influence, Eva Cassidy, who appears here on a posthumous cover of "What a Wonderful World," Melua's soothing and jazz-tinged tones found an audience through repeated plays on Terry Wogan's BBC Radio 2 show.

With a voice that sounds like a more mainstream version of the late jazz cult superstar Eva Cassidy and smoky raven-haired looks to rival a movie lot's worth of young ingénues, it's a bit of a surprise that Katie Melua has remained so unknown in the United States, despite the chart success the Eastern European-born songstress has achieved in her adopted home of the United Kingdom. It seems like she should be at least as popular as, say, Regina Spektor or Nellie McKay. Pictures may not help that much, however, because in comparison to its fairly straightforward jazz-tinged singer/songwriter predecessors, Melua's third album takes a bit of a left turn into the self-consciously quirky. It's a wonder that it took so long, because Melua's producer and part-time songwriter is Mike Batt, a minor legend of the U.K. music scene who has fashioned a decades-long career out of deliberate eccentricity…

Katie Melua released her first album when she was only 19, and quickly became the highest selling female musician in the UK with over 1.8 Million sales in the first five months. Over the past 15 years, Katie has released 7 top 10 studio albums – Call Off The Search, Piece By Piece, Pictures, The House, Secret Symphony, Ketevan and In Winter. The Ultimate Collection has been compiled by Katie and features 30 tracks from her 7 studio albums as well as her cover of ‘Fields of Gold’ and two brand new recordings of Simon & Garfunkel’s ‘Bridge Over Troubled Water’ and Shirley Bassey’s ‘Diamonds Are Forever’. Singles on the album include her worldwide hit ‘Nine Million Bicycles’, ‘The Closest Thing to Crazy’, ‘If You Were A Sailboat’ amongst many other hits. The album will also include liner notes written by Katie.

Piece by Piece is the second studio album by British-Georgian jazz and blues singer Katie Melua. It was released on 26 September 2005 by Dramatico Records. In the United Kingdom, the album debuted at #1 with 120,459 copies sold in its first week and to date has gone platinum four times. Georgia-born (as in the country, not the state) singer/songwriter Katie Melua found herself atop the British charts in 2003 with her breezy debut, Call Off the Search, which sold over three million copies in Europe alone. Her laid-back blend of blues, jazz, and pop with a kiss of worldbeat drew comparisons to Norah Jones, and rightfully so. She sticks to the formula on her lush, ultimately safe follow-up, Piece by Piece.

Katie Webster is a powerful singer who can really belt out the blues, but perhaps her greatest skill is her two-handed piano solos. On this CD she is featured on a fairly wide range of material within the idiom including a zydeco-flavored blues, a sincere blues ballad ("It's Mighty Hard"), a couple of Motownish soul numbers, a rock and rollish "Those Lonely Lonely Nights" (on which she shares vocals with Lonnie Brooks) and, best of all, a variety of basic blues. Although she also contributes some atmospheric chordal organ, it is Katie Webster's piano playing that gives her music its most distinctive personality. A fun set.