Off the heels of Grammy-nominated album, Heart of Brazil, comes jazz clarinet icon Eddie Daniels' new project, Night Kisses. Paying tribute to the world-renowned Brazilian musician/composer Ivan Lins, it brings Daniels together with legendary jazz pianists Dave Grusin and Bob James, plus top-shelf trio-Josh Nelson, Kevin Axt, Mauricio Zottarelli - and the Grammy-winning Harlem Quartet. Features songs from Lins' classic `70s/'80s albums and new arrangements by Kuno Schmid and Josh Nelson.
Duke at the Roadhouse: Live in Santa Fe features clarinetist Eddie Daniels and pianist Roger Kellaway in concert performing a variety of songs by the great Duke Ellington. Also joining in on several songs is cellist James Holland. Recorded as a benefit concert for the New Mexico Center for Therapeutic Riding, the album is a swinging and highly entertaining set that showcases the sensitive group interplay between Daniels and Kellaway. While most of the songs here are standards, the approach is anything but, and tracks like "In a Sentimental Mood" and "Sophisticated Lady" have a languid, poetic, and harmonically sophisticated quality that speaks to the high level of craft on display here. Anyone who loves these musicians will want to seek out this superb album.
During 1991-92, clarinetist Eddie Daniels and vibraphonist Gary Burton teamed up on a tour, performing a tribute to Benny Goodman and Lionel Hampton. Never mind that they sound nothing at all like their predecessors. On the CD that resulted from the collaboration, the duo use pianist Mulgrew Miller (who sounds much more like McCoy Tyner than Teddy Wilson), bassist Marc Johnson and drummer Peter Erskine for 11 songs associated with the King of Swing plus Bix Beiderbecke's "In a Mist."
When one hears this early Eddie Daniels CD (a straight reissue of the original LP), it is surprising to realize that he would remain in relative obscurity for almost another 20 years. As shown on the three of the eight selections on which he plays clarinet, Daniels (even at this early stage) ranked near the top, while his tenor playing on the remaining numbers was already personal and virtuosic. With the assistance of the Thad Jones/Mel Lewis rhythm section of the time (pianist Roland Hanna, bassist Richard Davis and drummer Mel Lewis), Daniels is in top form on three standards, four originals and the pop tune "Spanish Flea."
An amazing work. The original score for orchestra and solo violin was to remain untouched, the solo violin parts to be transposed to suit the vocal range of the clarinet. There would be written-out sections of superimposed jazz. These might broaden into full-scale jazz improv based on the harmonic progression of the various seasons. The orchestra would simultaneously maintain rapport with Vivaldi’s score and ensure eventual return to it. Other excursions would drift into even more unexpected territory: a jazz trio of piano, drums and bass. And then of course there was the sacrilegious idea to add a fifth season.