Having played with The Servants in the late 1980s, Luke Haines carved a unique niche for himself in the 1990s with witty lyrics, wry humour and some stellar tunes with The Auteurs and other acts (Black Box Recorder, Baader Meinhof). By 1999, feeling aghast at the state of the Brit Rock scene in the UK, Luke decided to "start a righteous solo trip", having been commissioned to write the soundtrack for the film Christie Malry's Own Double Entry (2001). Sticking with Virgin Records, Luke then unveiled his first solo album proper, The Oliver Twist Manifesto, before fronting a new-look Auteurs for Das Capital. In due course, Luke switched labels to indie Fantastic Plastic for Off My Rocker At The Art School Bop (2006), followed in 2009 by 21st Century Man. Since then, he's curated a string of imaginative, amusing and always worthwhile albums for Cherry Red Records. Alive And Well… is the first-ever anthology of Luke's solo work, cherry-picking musical highlights from each of his long players as well as a smattering of B-sides, radio sessions, rarities and - on Disc 4 - a raft of previously unissued material. Alive And Well… is a very personal statement spanning the last two decades of the musical life of Luke Haines.
Luke Jermay is the most influential mentalist of his era. He is a virtuoso, and he conveys the illusion of real mindreading better than anyone. When he is onstage, he is simply hypnotic. He has devised some of the most groundbreaking mind reading material of the decade, yet he has never collected it all in one comprehensive, all-encompassing DVD experience…until now.
This is a double CD collection of studio recordings from 1962 to Luke’s untimely death in 1984, covering the original releases of the songs that became synonymous with Luke. In addition the collection will include the rare recording of Ray Davies song ‘Thank You For The Days’.
Broke, Black & Blue delivers multiple surprises within its 100 songs of prewar blues. Arranged chronologically by Joop Visser, the set admirably covers the first 22 years of recorded blues, 1924 to 1946, from vaudeville and Delta to boogie-woogie and jump blues. It's a swell gift for anyone wanting to learn more about the history of blues. But old-timers will be pleased, too, as special attention has been paid to culling rare and idiosyncratic tracks by the well-known and the obscure. The first three discs present single tracks by artists as diverse as the Memphis Jug Band, De Ford Bailey, Tommy Johnson, Son House, Skip James, Peetie Wheatstraw, Lonnie Johnson, and Bukka White, alongside unknowns such as Isaiah "The Mississippi Moaner" Nelson, Barbecue Bob and Laughing Charley, Ed Andrews, Chicken Wilson, and Bumble Bee Slim. On the fourth disc, this convention is jettisoned to luxuriate in a series of very rare sides of lovely, oddly subdued boogie-woogie and jump blues by Jimmie Gordon, Johnny Temple, and Lee Brown.