New Order Everything's Gone Green

"Spooky" is a song by English band New Order. It was released in December 1993 as the fourth and final single from their sixth studio album, Republic (1993). The song would be their last single proper until 2001's "Crystal". CD one featured remixes by Fluke, while CD two featured remixes by Paul van Dyk and Tony Garcia.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.

"Jetstream" is a song by English band New Order. Released through Warner Bros. Records on 16 May 2005, it is the second single to be taken from their eighth studio album, Waiting for the Sirens' Call (2005). The song features Scissor Sisters member Ana Matronic on additional vocals. "Jetstream" charted at number 20 in the United Kingdom and number 30 in Ireland.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds…

"World in Motion…" is a song by British musical group New Order (performed with the England national football team, credited as ENGLANDneworder). The song is New Order's only number-one song on the UK Singles Chart. It was produced for the England national football team's 1990 FIFA World Cup campaign, and features a guest rap by England footballer John Barnes and additional vocals by several members of the English team of 1990 and comedian Keith Allen, who had co-written the lyrics.
One of the band members described the single as "the last straw for Joy Division fans", noting how its upbeat sound had inverted their former band's famously gloomy image. The song was originally to be called "E for England", but the Football Association vetoed the title, realising that it sounded suspiciously like a reference to the drug ecstasy.

New Order's first compilation album, Substance (1987), finally broke the group through to commercial success in the U.S. Its second one, The Best of New Order, isn't exactly Substance II. The previous set was a singles collection, and Best Of does pick up that story, including a series of songs - "True Faith" (in a new remix), "Touched by the Hand of God," "Blue Monday 88," "Fine Time," "Round & Round" (in a new remix), "Run," and "World in Motion" - that were bigger hits in the U.K. than in the U.S. (Also included is the group's biggest U.S. hit, "Regret" as well as its charting follow-up, "World [The Price of Love].") But in addition, the compilers have included one song each from the group's albums…

Live at the London Troxy is a live album by New Order, recorded on 10 December 2011 at The Troxy in London.
This release was the first since the band decided to reunite with its new lineup, featuring the return of keyboardist Gillian Gilbert, and Tom Chapman replacing former bassist Peter Hook. The sold-out show was their first performance in London in over five years, and the album includes the entire performance. During their 90-minute set, New Order performed songs spanning 25 years of hits, alongside songs not played live since the 1980s ("586", "Age of Consent", "Elegia", "1963"), culminating with a rendition of Joy Division's "Love Will Tear Us Apart".

The Rest of New Order (stylised as (the rest of) NewOrder) is a remix album by English band New Order, released on 21 August 1995 by London Records. Limited edition of the CD came with an additional bonus disc of "Blue Monday" remixes. This version replaces the white background on the cover with a reflective brown/gold.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.

"True Faith" is a song by New Order, co-written and co-produced by the band and Stephen Hague. The single peaked at No. 4 in the United Kingdom on its original release in 1987. "True Faith" became New Order's first single to chart in the Hot 100 and would also go on to be a top 40 hit in the United States, peaking at No. 32.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.

"Here to Stay" is a song by New Order and produced by The Chemical Brothers. It was released as a single in 2002, and reached number 15 in the UK Singles Chart.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.

"Regret" was released on 5 April 1993 as the lead single from New Order's sixth studio album, Republic (1993).
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.

"Krafty" is a song by New Order, released as the first single from their eighth studio album, Waiting for the Sirens' Call (2005). It marked the first new release by New Order for Warner Bros. Records without London Records and was produced by John Leckie, who is notable for his involvement in records such as Pink Floyd's The Dark Side of the Moon, Simple Minds' Real to Real Cacophony, Radiohead's The Bends and The Stone Roses' debut album.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds…