In 2011 the Berliner Philharmoniker and their musical director Sir Simon Rattle welcomed in the New Year with a gala concert programmed with ‘Dances & Dreams’. Spinetingling and inspiring performances of music by Dvořák, Ravel, Richard Strauss, Stravinsky and Brahms are complemented by the extraordinary talent of the multi-awarded Russian pianist Evgeny Kissin. Kissin’s musicality, the depth and poetic quality of his interpretations, and his extraordinary virtuosity have placed him at the forefront of today’s pianists, and his passionate performance of the renowned Piano Concerto in A minor by Edvard Grieg is mesmerizing.
The stand-up comic begins, "I went to a day of rage riot the other day, and a Moppa Elliott concert broke out." He might continue with, "Take my jazz canon, please." That is just what the bassist's quartet, Mostly Other People Do The Killing, does—seize the jazz standard and demolish it. The Coimbra Concert is the first live recording by the group, following its fourth studio record, Forty Fort (Hot Cup, 2009).
Stunning performance in front of a huge audience at the open air Odeon of Herodes Atticus, as Charles Lloyd, uniquely-expressive saxophonist, and Maria Farantouri, Greece’s voice of resistance, come together. Friends for some years, this is their first recorded collaboration. Lloyd’s brilliant quartet is on hand - with Jason Moran in especially creative mode - augmented by lyra player Socratis Sinopoulos and second pianist Takis Frazio in a marvelous programme that includes songs by Mikis Theoedorakis, suites of Greek traditional music, Eleni Karaindrou’s “Journey to Kythera” and Lloyd originals including his classic “Dream Weaver”. “Athens Concert” is a major event, a very special live album indeed.
Jackie Evancho's Dream With Me In Concert is the perfect video companion to her chart-topping album, Dream With Me, which was produced by the legendary David Foster…
The opening concert of the Salzburg Festival, for many regarded as the world's most renowned music festival, is by tradition a high-profile event and the 2011 gala presented here was one of the best in memory. Pierre Boulez, the "grand seigneur of subtle minimalism and exquisitely beguiling sounds" (Der Standard), assembled a cast of tremendous destinction to join the Vienna Philharmonic for this prestigious concert, conceived as a tribute to Gustav Mahler: Dorothea Roschmann, Anna Larsson, Johan Botha and rising star Anna Prohaska. After two works by Mahler's pupil Alban Berg, featuring Roschmann and Prohaska, the main event of the concert if Mahler's large-scale cantata Das klagende Lied - a "great spectral opera for the mind's eye" (Vienna Zeitung).
Great concert of exuberant live jazz recorded in Spain on July 24, 2008.
At the outset of her career in the 1990s, Diana Krall appeared to be a throwback to a different, classier era - specifically, the mid-20th century, when the Great American Songbook experienced a revival in the hands of singers such as Nat King Cole. Krall's 1996 breakthrough, All for You: A Dedication to the Nat King Cole Trio, deliberately paid tribute to this period, but Krall didn't focus merely on singing the song in an old-fashioned way: as the subtitle of All for You suggested, Krall placed equal emphasis on the piano playing. It was a conscious decision that leant her music an elegance and elasticity that has served her well throughout her career…