Newyear Concert 2011

Extremely limited eight disc (seven CDs plus DVD) collection of rare recordings from the Irish rockers. This release is collated from all of the BBC owned Lizzy recordings that still exist in the archive and charts the inexorable rise of the band: from the first steps as a three piece on the Decca label, to the glory days as one of the greatest live acts of all time. This collection brings together a raft of sessions and live recordings form throughout the band's career including the last concert with Phil Lynott from the Reading festival in 1983. Included also is a DVD of the bands sought after appearances on Top of the Pops and the Old Grey Whistle Test a well as concerts from throughout the band's career. This is a first for the band as these recordings have never been available in one place before. With comprehensive notes by Classic Rock's Malcolm Dome who tells the story of the bands history at the BBC.

The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.

Thomas-Louis Bourgeois (1676–1751) is one of the masters of the French chamber cantata at the time of the Régence, when – at last – it was permissible to introduce Italian influences openly in France. His imaginative music, as elegant as it is compositionally skillful, forms a welcome complement to the works of contemporaries such as Campra or Rameau who are infinitely better known today. Carolyn Sampson and Le Concert Lorrain revive for us the charming insouciance of the Régence.

The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.

More than the compilation series, more than the lovingly organised events, more than the radio shows: "Le Café Abstrait" is a philosophy of lifestyle: relaxed and culturally open-minded.
It was "Le Café Abstrait" and its mastermind, Raphaël Marionneau, who pioneered chill-out culture at Hamburg's internationally renown Mojo club in 1996: "Le Café Abstrait" reinvented nightclubbing in a new relaxing way. Once a month, stylish sofa installations and light projections transformed Mojo's dancefloor into a gigantic living room. There, up to 400 laid-back nightlife connoisseurs indulged in relaxation and Raphaël Marionneau's very special downtempo music selections. A new lifestyle was born: the couch culture…

There have indeed been countless Judas Priest compilations issued over the years. But if you're a Priest collector, then the 2011 release Single Cuts has to be one of the most intriguing archival releases the group has ever issued. That said, this observation only pertains to the pricier 52-song/20-disc (!) box set version, not the lighter-on-the-wallet single-disc version, which serves as another Priest "best-of."…