Nicola Dinan

The five-part writing for strings has its period of greatest development in the 16th and 17th centuries, only to fall into a progressive obsolescence. The most commonly used instrumental ensemble included two violins, alto and tenor viola da braccio, cello and basso continuo. Of this quintet, the instrument that undergoes a progressive dismissal is the viola tenore, which in this recording we propose in its original late seventeenth century mounting.

Nicola Matteis - Ayrs for the Violin
Helene Schmitt - Eric Bellocq - Jorge-Andreas Boettcher
EAC+LOG+CUE | FLAC: 395 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Alpha # 144 | Country/Year: France 2009
Genre: Classical | Style: Baroque

…Schmitt’s sound, though slightly acidulous, should never offend even the most ardent champion of modern instruments. She plays with a verve and dash that makes the ayrs ingratiating, even on first hearing. (…) Strongly recommended.

Just 26 years old, Nicola Benedetti has been making chart-topping recordings for 10 years. This album celebrates the best of those recordings, and her other successes – from winning the BBC Young Musician of the Year competition in 2004, to her 2012 best-selling album ‘The Silver Violin’, the highest charting classical instrumental album in the UK of the last two decades. A collection of great violin music – from Vivaldi’s Four Seasons and Vaughan Williams’ The Lark Ascending to the Tchaikovsky and Bruch violin concertos and Arvo Part’s Spiegel Im Spiegel. Featuring brand new recordings – Brahms’ invigorating Hungarian Dance no. 5, Monti’s ever-popular Czardas, and Chopin’s emotional Nocturne in C# minor. The album includes Nicola performing with leading orchestras and conductors, as well as some of her favorite chamber players.

Within the vast repertoire of the Baroque oratorio, San Nicola di Bari is unique in two ways. It is the only composition to treat a scene from Saint Nicholas' life, and the only one that emerged from the long and successful collaboration between the librettist Silvio Stampiglia and the composer Giovanni Bononcini. Ramée hopes that this recording of Bononcini's most successful oratorio will awaken some curiosity about the many other masterpieces of a composer who has, unfortunately and undeservedly, dwelled too long in the shadows.

Saint Nicholas is one of the best-known saints, but his reputation today as a friend of children hardly reflects his role in the history of the church. In pieces of music in which he plays a role it is mostly his many miracles which is given attention to. The oratorio which is presented here is different in that it concentrates on the youth of Saint Nicholas who is modelled as an examplary son to his parents. The story is simple: Nicholas prepares for a journey to study in Egypt and Palestine. It is shown how harmonious the relationship with his parents is, and how hard his mother takes it to let him go. Nicholas also has chosen the path of virtue and is determined to resist all worldly temptations. As a kind of opposite number the librettist is introducing Clizio, a fellow student who enjoys worldly pleasures. During the oratorio Nicholas is able to make him see the errors of his ways and Clizio shows repentance…

Johan van Veen (2009)