Nikollaus Harnoncourt

Nikolaus Harnoncourt - The Complete Sony Recordings, Part 9 [6CDs] (2016)

Nikolaus Harnoncourt - The Complete Sony Recordings, Part 9 (2016)
EAC | FLAC | Image (Cue & Log) ~ 1,37 Gb | Total time: 06:06:02 | Scans included
Classical | Label: Sony Classical | # 88875173752 | Recorded: 1991-2015

Nikolaus Harnoncourt The Complete Sony Recordings brings together for the first time Harnoncourt s complete recordings from 2002-2015 with his Concentus Musicus Wien, the Wiener Philharmonike, the Chamber Orchestra of Europe and the Symphonieorchester des Bayrischen Rundfunks. The Sony Classical edition features his famous symphony recordings of Mozart, Haydn, Beethoven and Bruckner, alongside his celebrated performances of great choral works such as the Verdi, Brahms and Mozart Requiems and Haydn's Die Schöpfung, as well as Mozart's opera Zaide, Haydn's Orlando paladino and Gershwin's Porgy and Bess. Also included are previously authorized but unreleased recordings of J. S. Bach s Cantatas Nos. 26 & 36, Beethoven's Christus am Ölberge and Dvorák's Stabat Mater.
Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Chor - Johann Sebastian Bach: Matthäus-Passion (2001)

Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Chor - Johann Sebastian Bach: Matthäus-Passion (2001)
EAC | FLAC | Image (Cue & Log) ~ 769 Mb | Total time: 162:15 | Scans included
Classical | Label: Teldec | # 8573-81036-2 | Recorded: 2000

Nikolaus Harnoncourt war der vielleicht wichtigste Pionier einer Musikauffassung, die hinter der spätromantischen Sichtweise auf die Passionen Johann Sebastian Bachs das originale Klangbild suchte. Dabei ging es ihm keineswegs um Authentizität als Selbstzweck, sondern vielmehr um ein Ausloten der Bach'schen Klangfarben und Ausdrucksmittel, die im Brahms- und Bruckner-Sound der großen Oratorienchöre und Symphonieorchester verloren gegangen waren. Inzwischen ist diese Auffassung etabliert und Harnoncourt weit ins romantische Repertoire eingedrungen. Die Zeit reinen Bach- und Mozart-Spezialistentums scheint vorbei. Mit der Neueinspielung der Matthäus-Passion begibt sich der Dirigent daher wieder zurück zu seinen Wurzeln.
Nikolaus Harnoncourt - The Complete Sony Recordings, Part 6 [7CDs] (2016)

Nikolaus Harnoncourt - The Complete Sony Recordings, Part 6 (2016)
EAC | FLAC | Image (Cue & Log) ~ 1,97 Gb | Total time: 07:44:43 | Scans included
Classical | Label: Sony Classical | # 88875173752 | Recorded: 1991-2015

Nikolaus Harnoncourt The Complete Sony Recordings brings together for the first time Harnoncourt s complete recordings from 2002-2015 with his Concentus Musicus Wien, the Wiener Philharmonike, the Chamber Orchestra of Europe and the Symphonieorchester des Bayrischen Rundfunks. The Sony Classical edition features his famous symphony recordings of Mozart, Haydn, Beethoven and Bruckner, alongside his celebrated performances of great choral works such as the Verdi, Brahms and Mozart Requiems and Haydn's Die Schöpfung, as well as Mozart's opera Zaide, Haydn's Orlando paladino and Gershwin's Porgy and Bess. Also included are previously authorized but unreleased recordings of J. S. Bach s Cantatas Nos. 26 & 36, Beethoven's Christus am Ölberge and Dvorák's Stabat Mater.
Nikolaus Harnoncourt - The Complete Sony Recordings, Part 8 [5CDs] (2016)

Nikolaus Harnoncourt - The Complete Sony Recordings, Part 8 (2016)
EAC | FLAC | Image (Cue & Log) ~ 1,25 Gb | Total time: 05:04:10 | Scans included
Classical | Label: Sony Classical | # 88875173752 | Recorded: 1991-2015

Nikolaus Harnoncourt The Complete Sony Recordings brings together for the first time Harnoncourt s complete recordings from 2002-2015 with his Concentus Musicus Wien, the Wiener Philharmonike, the Chamber Orchestra of Europe and the Symphonieorchester des Bayrischen Rundfunks. The Sony Classical edition features his famous symphony recordings of Mozart, Haydn, Beethoven and Bruckner, alongside his celebrated performances of great choral works such as the Verdi, Brahms and Mozart Requiems and Haydn's Die Schöpfung, as well as Mozart's opera Zaide, Haydn's Orlando paladino and Gershwin's Porgy and Bess. Also included are previously authorized but unreleased recordings of J. S. Bach s Cantatas Nos. 26 & 36, Beethoven's Christus am Ölberge and Dvorák's Stabat Mater.
Nikolaus Harnoncourt, Chamber Orchestra of Europe - Felix Mendelssohn: Symphonies Nos. 3 & 4 (1992)

Nikolaus Harnoncourt, Chamber Orchestra of Europe - Felix Mendelssohn: Symphonies Nos. 3 & 4 (1992)
EAC | FLAC | Image (Cue & Log) ~ 300 Mb | Total time: 69:05 | Scans included
Classical | Label: Teldec | # 9031-72308-2 | Recorded: 1991

How appropriate that Harnoncourt, a conductor who through recordings has probably done more than anyone else to allow us to explore Bach's choral music, should now turn his attention to Mendelssohn; a composer who, as a conductor, was responsible in his time for the revival of Bach's fortunes, not to mention revising the Leipzig Gewandhaus Orchestra's programmes to ensure that Mozart, Beethoven, Haydn, Handel and Bach formed the backbone of the repertoire—exactly those composers, in fact, who form the core of Harnoncourt's discography.
COE, Nikolaus Harnoncourt - Felix Mendelssohn: 'Ein Sommernachtstraum', Op. 61; 'Die erste Walpurgisnacht', Op. 60 (1993)

Felix Mendelssohn: 'A Midsummer Night's Dream', Op. 61; 'Die erste Walpurgisnacht', Op. 60 (1993)
Chamber Orchestra of Europe, conducted by Nikolaus Harnoncourt

EAC | FLAC | Tracks (Cue&Log) ~ 339 Mb | Mp3 (CBR320) ~ 209 Mb | Scans included
Classical, Orchestral, Choral | Label: Teldec | # 9031-74882-2 | Time: 01:17:55

Mendelssohn's highly potent brand of magic here in rhythmically robust live recordings of eight numbers from A Midsummer Night's Dream, and a formidable team of soloists for the spooky Walpurgisnacht.
Nikolaus Harnoncourt - The Complete Sony Recordings, Part 5 [7 CDs] (2016)

Nikolaus Harnoncourt - The Complete Sony Recordings, Part 5 (2016)
EAC | FLAC | Image (Cue & Log) ~ 2,25 Gb | Total time: 08:40:44 | Scans included
Classical | Label: Sony Classical | # 88875173752 | Recorded: 1991-2015

Nikolaus Harnoncourt The Complete Sony Recordings brings together for the first time Harnoncourt s complete recordings from 2002-2015 with his Concentus Musicus Wien, the Wiener Philharmonike, the Chamber Orchestra of Europe and the Symphonieorchester des Bayrischen Rundfunks. The Sony Classical edition features his famous symphony recordings of Mozart, Haydn, Beethoven and Bruckner, alongside his celebrated performances of great choral works such as the Verdi, Brahms and Mozart Requiems and Haydn's Die Schöpfung, as well as Mozart's opera Zaide, Haydn's Orlando paladino and Gershwin's Porgy and Bess. Also included are previously authorized but unreleased recordings of J. S. Bach s Cantatas Nos. 26 & 36, Beethoven's Christus am Ölberge and Dvorák's Stabat Mater.
Nikolaus Harnoncourt - The Complete Sony Recordings, Part 3 [5CDs] (2016)

Nikolaus Harnoncourt - The Complete Sony Recordings, Part 3 (2016)
EAC | FLAC | Image (Cue & Log) ~ 1,47 Gb | Total time: 05:31:22 | Scans included
Classical | Label: Sony Classical | # 88875173752 | Recorded: 1991-2015

Nikolaus Harnoncourt The Complete Sony Recordings brings together for the first time Harnoncourt s complete recordings from 2002-2015 with his Concentus Musicus Wien, the Wiener Philharmonike, the Chamber Orchestra of Europe and the Symphonieorchester des Bayrischen Rundfunks. The Sony Classical edition features his famous symphony recordings of Mozart, Haydn, Beethoven and Bruckner, alongside his celebrated performances of great choral works such as the Verdi, Brahms and Mozart Requiems and Haydn's Die Schöpfung, as well as Mozart's opera Zaide, Haydn's Orlando paladino and Gershwin's Porgy and Bess. Also included are previously authorized but unreleased recordings of J. S. Bach s Cantatas Nos. 26 & 36, Beethoven's Christus am Ölberge and Dvorák's Stabat Mater.
Nikolaus Harnoncourt, Concentus Musicus Wien - GF Handel: Messiah (2x SACD, 2005) MCH PS3 ISO + DSD64 + Hi-Res FLAC

Nikolaus Harnoncourt, Concentus Musicus Wien - G.F. Handel: Messiah (2x SACD, 2005)
PS3 Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 141:17 minutes | Scans included | 8,28 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 3,57 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/48 kHz | Full Scans included | 1,51 GB
Features Stereo and Multichannel Surround Sound | Deutsche Harmonia Mundi # 82876-72039-2 DDD 2

One of the most welcome releases of the year is Nikolaus Harnoncourt's new "Messiah" with the Concentus Musicus Wien… what makes this recording so satisfying is the warmth, serenity and pliant lyricism of the performance. We have come to expect fleet tempos from the early-music movement. If anything, Mr. Harnoncourt's tempos, over all, are spacious. The sweet-voiced tenor Michael Schade is given such freedom to shape the phrases of the accompanied recitative "Comfort ye my people," that you listen to these words as if you had never heard them before…The soprano Christine Schäfer and the alto Anna Larsson also do radiant and affecting work. The chorus sings with impressive clarity and full-bodied yet unforced sound…Mr. Harnoncourt adheres to the manuscripts and editions of the work he deems the most reliable, especially with regard to the size of the string ensembles in the various movements. But you will not be thinking about scholarly matters while listening to this revelatory recording.
Nikolaus Harnoncourt, Wiener Symphoniker - Franz Joseph Haydn: Die Schöpfung (1996)

Nikolaus Harnoncourt, Wiener Symphoniker - Franz Joseph Haydn: Die Schöpfung (1996)
EAC | FLAC | Image (Cue & Log) ~ 496 Mb | Total time: 56:04+58:54 | Scans included
Classical | Label: Teldec | # 2292-42682-2 | Recorded: 1986

Haydn’s late masterpiece, The Creation/Die Schöpfung has always existed in two versions, one in English and one in German. Loosely based on Milton’s Paradise Lost version of the creation story, the libretto had actually been offered to Handel, who never got around to setting it. Johann Salomon, the impresario, passed it to Haydn in 1794. Haydn was interested but apparently did not feel confident enough in his English to set the work in its original format.