A trawl through the wonderful career of the hugely underrated Harry Nilsson takes a chronological look at his back catalogue. Pretty much every classic you would ever need is here - Everybody's Talkin', Me and My Arrow, Without Her, Without You, One… the list goes on. Naturally there is a concentration on Harry's most successful work Nilsson Schmilsson with all but one track of the entire album included. There are some delightful hidden classics too with hard to find tracks included, but perhaps too little concentration on his later career. Nevertheless, this is a superb retrospective.
The relationship between Harry Nilsson and John Lennon is legendary. They were notorious booze hounds and carousers, getting kicked out of clubs for misbehavior and generally terrorizing L.A. during Lennon's "lost weekend" of 1974. They wanted to make an album together – hell, anyone working at such a peak would – and the result was Pussy Cats, a Nilsson album produced by Lennon. Almost immediately, Nilsson got sick, resulting in a ruptured vocal cord. Not wanting Lennon to stop the sessions, Nilsson never told his friend, stubbornly working his way through the sessions until he lost his voice entirely. These are the sessions that make up Pussy Cats, an utterly bewildering record that's more baffling than entertaining. Like many superstar projects of its time, this is studded with contributions from friends and studio musicians, all intent on having a good time in the studio – which usually means hammering out rock & roll oldies.
Out of Sweden comes new jazz sounds from guitarist Anders Nilsson's group Aorta, a group that glances briefly back at the late '60s and '70s, then forges ahead, showing some possible directions for the music to go if it is to remain vital. Aorta probably won't be doing a week at the Vanguard any time soon, but if there's any music that can even remotely be called jazz and has any chance of capturing the ears of teens and twenty-somethings (the holy grail in music sales), this is it.
This is in short a really good recording. Gerdes' handling of the opera is very good (though his tempo in the Pilgrims' Chorus theme of the Overture is almost disturbingly fast), the orchestra is well controlled and very expressive. Birgit Nilsson, one of the greatest Wagnerian sopranos of the 20th Century, sings the two principle female roles - Venus and Elisabeth; Wolfgang Windgassen, who sings the role of Tannhauser, is one of the greatest Wagnerian tenors of the century. And Dietrich Fischer-Dieskau, who sings Wolfram, is virtually undisputed as THE baritone of the century.Highly recommend this recording.
-Amazon Review-
The Nation's Favourite…' shows signify the very best in music to the British public previously including hugely iconic artists and genres such as Elvis, Abba, Queen, Bee Gees and Motown. The series has literally become the Nation's favourite music documentary and 2015 will see the brand branch out into eras as they launch 2 new shows, 'The Nation's Favourite 70s Number Ones' & 'The Nation's Favourite 80s Number Ones'. 'The Nation's Favourite 70s Number Ones' will count down the UK's most-loved hits from the decade. ITV viewers have been voting for their favourite 70s songs through the ITV website with the winner being announced at the end of the show, on air primetime 05/03/15. 'The Nation's Favourite 70s Number Ones' album perfectly reflects the show with the 20 biggest hits & names from the countdown but also includes 48 other massive number one hits, across 3 CDs, from the 70s…
Wagner at The Met is the first authorized release of Richard Wagner's operatic masterpieces, including the complete Ring Cycle, captured live in historic broadcasts from The Metropolitan Opera.
Any serious pop music collection begins here. The list is based on commercial success as well as quality and timelessness of the artist's music. Suggested tracks are included to get you started. These performers are the bedrock of popular music.