Nina Shwake

The new album gathers the most iconic songs recorded throughout her career and includes 7 remixes by some of the hottest, in-demand DJ’s worldwide. The first single from the set is a remix by English DJ/producer Joel Corry (Charli XCX, Ed Sheeran) of the timeless classic “Feeling Good". The album includes seminal songs such as Mississippi Goddam, Strange Fruit, I Loves You Porgy, I Put A Spell On You and Nina Simone’s timeless version of “Feeling Good."

Hailed as the ‘High Priestess of Soul’, Nina Simone’s unique style seamlessly fused jazz and R&B with her classical piano roots to accompany her profoundly beautiful voice. From classics such as ‘I Loves You Porgy’ and ‘My Baby Just Cares For Me’ to dynamic live recordings from her creative heyday, this collection charts her rise to stardom and shows why she remains a hugely inspirational figure to this day.

Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.

Recorded for a small French label soon after Simone relocated to Paris, Fodder On My Wings found the artist in a difficult period in her life. Not only was Simone feeling isolated in a new country, but her mental illness was worsening and her family life was fractured. However, she channelled her despair into writing some of her most powerful material, including ‘I Was Just A Stupid Dog To Them’ and the near-title-track, ‘Fodder In Her Wings’, which Pitchfork included in their roundup of Simone’s most iconic songs.

Superb 60-track compilation features "My Baby Just Cares For Me", "Don't Smoke In Bed", "He's Got The Whole Word In His Hands", "I Want A Little Sugar In My Bowl", "Plain Gold Ring" and more standards.

Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. Indeed, her final album for that label, High Priestess of Soul, featured the singer, pianist, and songwriter fronting a virtual orchestra. Here, Simone is backed by a pair of guitarists (Eric Gale and Rudy Stevenson), bassist (Bob Bushnell), drummer (Bernard "Pretty" Purdie), organist (Ernie Hayes), and harmonica player who doubled on saxophone (Buddy Lucas). Simone handled the piano chores. The song selection is key here. Because for all intents and purposes this is perhaps the rawest record Simone ever cut. It opens with the sultry, nocturnal, slow-burning original "Do I Move You," which doesn't beg the question but demands an answer: "Do I move you?/Are you willin'?/Do I groove you?/Is it thrillin'?/Do I soothe you?/Tell the truth now?/Do I move you?/Are you loose now?/The answer better be yeah…It pleases me…." As the guitarists slip and slide around her husky vocal, a harmonica wails in the space between, and Simone's piano is the authority, hard and purposely slow.