Nirvana Nevemind Super Deluxe Edition

Whereas Rush's first two releases, their self-titled debut and Fly by Night, helped create a buzz among hard rock fans worldwide, the more progressive third release, Caress of Steel, confused many of their supporters. Rush knew it was now or never with their fourth release, and they delivered just in time – 1976's 2112 proved to be their much sought-after commercial breakthrough and remains one of their most popular albums…

Graced with cover art of a grotesque gorilla sporting the Stones' trademark leering lips, GRRR! doesn't quite have the classy veneer usually associated with a 50th anniversary collection. Frankly, that's a good sign for the Rolling Stones: they're celebrating their half-century together but refusing to take themselves too seriously, even when they're assembling a mammoth retrospective that's available in two wildly different incarnations…

On 1977's A Farewell to Kings it quickly becomes apparent that Rush had improved their songwriting and strengthened their focus and musical approach. Synthesizers also mark their first prominent appearance on a Rush album, a direction the band would continue to pursue on future releases…

FLEETWOOD MAC: DELUXE EDITION is packaged in a 12 x 12 embossed sleeve with rare and unseen photos along with in-depth liner notes written by David Wild featuring new interviews with all the band members. Features a newly remastered version of the original album along with single mixes for “Over My Head,” “Rhiannon,” “Say You Love Me.” Also included is a second disc with an alternate version of the complete album comprised of unreleased outtakes for each album track, plus several unreleased live performances from 1976…

Roxy Music release an expanded edition of their ground-breaking debut album to mark its 45th anniversary. The Super Deluxe Edition includes rare and previously unavailable material never-heard-before outside of Roxy’s inner circle. Audio includes the original album, BBC Sessions & In Concert performance, 1971 demo tape and ‘In-Session’ performance…

The world of pop music was hardly ready for the Velvet Underground's first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968's White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety…

Following a long-established production pattern, Mike Oldfield assembled some relatively simple pop- and rock-flavored numbers following one long introductory piece on his 1983 Disky release, Crisis. The 20-minute opening title-track is a quintessential Oldfield texture study that consists of sparkling synth washes with edgier material weaving in and out…