Nisa Criola

Liebe und Eifersucht (Love and Jealousy) is E. T. A. Hoffmann’s three act singspiel was regarded as lost for over 150 years until an edition of the score was uncovered in the German State Library in Berlin. CPO and the Ludwigsburg Castle Festival are proud to present the première recording of the work, now extant in the form originally intended by Hoffmann. Liebe und Eifersucht shows Hoffmann’s great love for Mozart and his profound knowledge of his music. Together with Undine this singspiel certainly ranks as this great romantic writer’s most important musical work.

Abdullah Ibrahim (born Adolph Johannes Brand on 9 October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre Cape jazz.

Stefano Landi (1587-1639) was a Roman by birth and career. He enjoyed the support of several powerful and culture-loving Roman families, for whom he composed numerous vocal pieces. Landi might well have been the personality who would make Rome the successor to Florence and Mantua as the commanding center for early experimentation in opera. Because of the fluctuating opposition of successive popes to theatrical performances, such was not to be, and it was Venice that would fill the vacuum. It was during an early period in Padua (his family’s home city), in about 1619, that Landi made his only venture into opera, composing La Morte d’Orfeo.

The Cape Verdean singer was the preeminent force of morna music, which combines fado, jazz, and Latin.

DAOUI - Message from the DAOUI (2020) {Self-released}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 662 Mb | MP3 @320 -> 328 Mb | Cover | 5% repair rar
© 2020 | Self-released
Jazz / Experimental / Spiritual Jazz / Psychedelic Jazz

4600 (=1) year(s) ago in the future, the Daoui emerged from the inner surface of the plasmic hōmstarh Fane Won, sister to Criola (265d). They were drawn out by distress calls from the Afrikan diaspora. Their dimension exists inside ours and outside their own. There, the "laws" of physics as we know them are nothing more than suggestions. Their cosmologies are discrete. For example, hōmstarhs such as Fane Won square-orbit a planet which is not populated. The proximity to the planet determines not how warm the planet is, but how cool the starhs are, as the planet, xux, absorbs ambient heat from blackshine. Each planet has only one (Won) starh. Galaxies are arranged like vertices in a tesseract. The bonds between each vertex in the octahedroid are song.

Following the release last year of works by Holzer, Antegnati and Pellegrini, the renowned organist Federico Del Sordo further delves into the world of Renaissance and early Baroque keyboard repertoire. In this set, he turns his attention to Italian composer Aurelio Bonelli.