Nonvisible Part

The title of ECM's release of works by three composers born in the former Soviet Union perfectly captures the mood of the CD – it is truly mysterious. Although more than half a century separates the first of these pieces from the most recent, they share a sense of otherness that defies easy explanation. The pieces are not so much mysterious in the sense of being eerie (although there are several moments that might raise the hairs on the back of your neck if you were listening alone in the dark); they are unsettling because they raise more questions than they answer.

The symphonies of Arvo Pärt will surprise anyone familiar with his contemplative, mature style. Pärt began life as a member of the Eastern European modern school, not so far removed from contemporaries such as Penderecki and Górecki. His three symphonies show his gradual renunciation of the more radical aspects of his musical syntax, a return to emotional directness, and the beginnings of that otherworldly quality that has become the outstanding feature of his later work. Not all listeners have traveled the path with him, some finding his recent music tedious and pretentious rather than spiritual, and these three relatively early symphonies really do add a welcome depth and roundness of profile to a composer who can all too easily seem one-dimensional. It's important to keep in mind that, unlike so many members of today's pseudospiritual school of composers (England's John Tavener being the prime example), Pärt is a real composer operating even in the most mystical musings. Järvi deserves real credit for calling attention to this fact in such a powerful way.

Originally a member of electronica duo clickits, John McCaffrey moved from Accrington in the north west of England to Melbourne, Australia and started a solo project as Part Timer. Concentrating on a mixture of delicate folk flavours and electronic augmentation, Part Timer has released albums on moteer, flau and lost tribe sound. Collaborations with multi-instrumentalist Aaron Martin have been released on mobeer and under the spire. McCaffrey has also released music under the names Scissors and Sellotape (on cotton goods) and Upward Arrows (on under the spire)…

A collection of musical gems by great contemporary composers of the minimalist and postminimalist trend. Music of Steve Reich (Vermont Counterpoint, New York Counterpoint - first recording of the saxophone version), Arvo Pärt (Pari Intervallo), Hans Otte (Eins), Ludovico Einaudi (Quattro Passi), Henryk Mikołaj Górecki (For you Ann Lill, Op.58), skilfully interpreted by Andrea Ceccomori and Goffredo Degli Esposti on the flutes, Paul Wehage on the saxophones, Cecilia Chailly on harp and Fabrizio Ottaviucci on piano.

On the occasion of the 85th birthday of Arvo Pärt (September 2020) and the 75th anniversary of the Bavarian Radio Chorus (May 2021). The Estonian composer Arvo Pärt, born in 1935, has succeeded in bringing sacred music back to a broader audience, and away from the confines of the church service, more than almost any other contemporary composer. The meditative character of his works, and his return to the simplest and most basic musical forms, convey moments of intense spirituality. Before his emigration from the Soviet Union, Pärt had already invented what he termed the tintinnabuli style of composition (from the Latin word for a bell). He produced an early and important example of this expressive style in 1977 with his “Cantus in Memory of Benjamin Britten”, scored for string orchestra and bell.

Electric Light Orchestra Part II was formed in 1988 by drummer Bev Bevan, a founding member of the original ELO, the successful progressive pop group led by frontman Jeff Lynne from 1971 into the mid-1980s. After Lynne officially dissolved the band, Bevan assembled a new line-up including vocalist Neil Lockwood, keyboardist Eric Troyer and bassist Pete Haycock to tour under the Electric Light Orchestra banner; Lynne soon filed suit against the group, the resulting settlement appending the "Part II" tag to any new albums or live performances. One Night is a live album recorded and released by ELO Part II. The concert was recorded on 18-19 March 1995 at the Sydney Entertainment Centre, Australia while the band was on tour. It was called One Night since ELO Part II was in Australia only for one night. The album's official release was UK, 1996 2 CD and US, May 20, 1997 1 CD. This album contains a lot of ELO's greatest hits performed live. This release are taken from the same 1995 show.

The brief opening piece for chorus on this new release, "Da Pacem Domine," is based on a 9th century Gregorian work and has the usual, familiar–and very beautiful–Pärt-ian characteristics: a soft, endless stream of easy tritones and harmonies that make this plea for peace immensely moving. The major work, Lamentate, is scored for large orchestra and solo piano–a very unusual combination for Pärt. Even his fans will be surprised. In ten brief sections, it begins with a quiet drum roll, immediately followed by horn calls. There are forte explosions for full orchestra and piano, with heavy percussion. At times the only thing we hear is a hushed piano part with strings supporting very quietly. The effect is dark yet alluring. It ends peacefully. This is another stunning CD of Pärt's music for his fans–old and new.