Not on The Heep

Considering how lackluster some of David Byron's early solo work (and final days with Uriah Heep) sounds today, it is not only refreshing, but astonishing, to run head first into On the Rocks and find the old voice box sounding better than it had in years. Packed with some of the most menacing riffs of his career – check out "King" – and a voice that roars on the right side of anger, On the Rocks is the sound of classic Heep, shot through with both the fresh adrenalin of the NWOBHM and an ear for what was going on elsewhere in the world. "Start Believing" layers in Mel Collins' sax to add an almost funky feel to the proceedings, even as "Piece of My Love" echoes on bluesy piano, while "Bad Girl" is simply slinky.

Different World is the 18th album by British rock group Uriah Heep. It was the second studio album to feature this line-up. Bass guitarist Trevor Bolder produced the album and has said that, although it was an experience, he found it tricky wearing the hats of both band member/musician and producer…

On their second album, Uriah Heep jettisons the experiments that weighed down Very 'Eavy Very 'Umble and works toward perfecting their blend of heavy metal power and prog rock complexity. Salisbury tips the band's style in the prog direction, containing one side of songs and one side dominated by a lengthy and ornate epic-length composition…

Now, this really is a chunk to bite off and chew. This six-disc overview of the long, winding, and confounding career of Uriah Heep (confounding that Mick Box and Lee Kerslake have managed to keep it afloat for nearly 40 years), is the first box to take into consideration all the permutations this dinosaur juggernaut has been through…

Ballads? What ballads? They don't need no stinkin' ballads. Actually, most of these aren't true ballads, which are defined as either romantic/sentimental songs ("Rainbow Demon" darlin'?) or songs that repeat the same melody from stanza to stanza (think of that guy playing the acoustic guitar in Animal House). Uriah Heep did eventually write honest-to-goodness ballads, some of which are featured here: "Your Turn to Remember," "Free Me," and "Come Back to Me."…

This double-disc collection covers the glory years of Uriah Heep extensively, with all the main cuts by the David Byron/Mick Box/Ken Hensley/Gary Thain/Lee Kerslake version of the group as well as earlier and later material. Chances are that serious Heep fans will have everything here, so this serves as more of an introduction for the new convert. There's plenty here that's aged well from the Bronze label years, such as "July Morning," "Easy Livin'," "The Magician's Birthday," "Look at Yourself," "Stealin'," etc. In fact, about the only thing that's not here, inexplicably, from the early years is the Box slide workout on the classic "Tears in My Eyes." There is also plenty from the later decades of the '80s, '90s, and beyond, when Box took the group to a new and heavier place – somewhat recalling the UH of the Salisbury and Very 'Eavy…Very 'Umble eras. There are 34 tracks in all, with good sound and workmanlike liner notes. For the money, this is a good bang for the buck.

This double-disc collection covers the glory years of Uriah Heep extensively, with all the main cuts by the David Byron/Mick Box/Ken Hensley/Gary Thain/Lee Kerslake version of the group as well as earlier and later material. Chances are that serious Heep fans will have everything here, so this serves as more of an introduction for the new convert. There's plenty here that's aged well from the Bronze label years, such as "July Morning," "Easy Livin'," "The Magician's Birthday," "Look at Yourself," "Stealin'," etc. In fact, about the only thing that's not here, inexplicably, from the early years is the Box slide workout on the classic "Tears in My Eyes." There is also plenty from the later decades of the '80s, '90s, and beyond, when Box took the group to a new and heavier place – somewhat recalling the UH of the Salisbury and Very 'Eavy…Very 'Umble eras. There are 34 tracks in all, with good sound and workmanlike liner notes. For the money, this is a good bang for the buck.

This double-disc collection covers the glory years of Uriah Heep extensively, with all the main cuts by the David Byron/Mick Box/Ken Hensley/Gary Thain/Lee Kerslake version of the group as well as earlier and later material. Chances are that serious Heep fans will have everything here, so this serves as more of an introduction for the new convert. There's plenty here that's aged well from the Bronze label years, such as "July Morning," "Easy Livin'," "The Magician's Birthday," "Look at Yourself," "Stealin'," etc. In fact, about the only thing that's not here, inexplicably, from the early years is the Box slide workout on the classic "Tears in My Eyes." There is also plenty from the later decades of the '80s, '90s, and beyond, when Box took the group to a new and heavier place – somewhat recalling the UH of the Salisbury and Very 'Eavy…Very 'Umble eras. There are 34 tracks in all, with good sound and workmanlike liner notes. For the money, this is a good bang for the buck.