Notching

The Ink Spots played a large role in pioneering the Black vocal group-harmony genre, helping to pave the way for the doo wop explosion of the '50s. The quavering high tenor of Bill Kenny presaged hundreds of street-corner leads to come, and the sweet harmonies of Charlie Fuqua, Deek Watson, and bass Hoppy Jones (who died in 1944) backed him flawlessly. Kenny's impeccable diction and Jones's deep drawl were both prominent on the Ink Spots' first smash on Decca in 1939, the sentimental "If I Didn't Care." From then through 1951, the group was seldom absent from the pop charts, topping the lists with "We Three (My Echo, My Shadow, and Me)" (1940), "I'm Making Believe" and "Into Each Life Some Rain Must Fall" (both in 1944), and "The Gypsy" and "To Each His Own" (both in 1946). Watson eventually split to form his own group, the Brown Dots, and appeared in numerous low-budget film musicals, while Kenny attempted a solo career, notching a solo hit in 1951 with the uplifting "It Is No Secret." Countless groups masquerading as the Ink Spots have thrived across the nation since the '50s.

Lynn Vincent, the number-one New York Times best-selling writer of Heaven Is for Real, reveals the thrilling true story of the greatest naval disaster in United States history: the sinking of the USS Indianapolis during World War II - and the 60-year fight to exonerate the captain from a wrongful court-martial.

A human drama unlike any other—the riveting and definitive full story of the worst sea disaster in United States naval history.

Autodesk Inc., a world leader in 3D design software for entertainment, natural resources, manufacturing, engineering, construction, and civil infrastructure, has released an update to Fabrication Products 2018 - tools to create detailed MEP system models.