Nova

Balancing mainstream adult pop, grittier rock, and the poetic influence of childhood idols Patti Smith and Kate Bush, Bermuda native Heather Nova charted in the U.K. and the U.S. with her first worldwide release, 1994's Oyster.

This album ranges widely over Scottish composer Sir James MacMillan’s substantial output of sacred music and gathers together a few pieces that haven’t made it into the studio, such as the lovely St Anne’s Mass. Many of the pieces have personal significance, including works written for the weddings of family members and a Requiem Mass for his father. The largest here, The Culham Motets—written for the consecration of a chapel—is ambitious music, full of colour, and MacMillan strikes the perfect note. The smaller works are beautifully done and Cappella Nova’s singing, captured gloriously by producer/engineer Philip Hobbs, is breathtaking.

The sweetness of Heather Nova consumed the indie rock market throughout the 1990s, and into the new millennium she was a rising star across the globe. Born to a Canadian mother and a father from Bermuda, Heather Frith used singing and music as a means of entertainment during her childhood. She was born in her father's native land on July 6, 1967, and spent the next 16 years of her life aboard a 40-foot boat with her parents, brother, and sister. Her imagination was tested and music was her calling. She incessantly listened to taped records from her mother, later crafting her own songs by age eight.