Nuts & Bolts Vol 10

Blank & Jones hit double figures with their long running SoEighties series, with the announcement of so80s 10, another three-disc compilation of extended versions of from the best decade in pop, the 1980s. The tenth edition in this series contains over 30 remixes including the near 12-minute long version of the Sisters Of Mercy This Corrosion, Pat Benatar’s Love Is A Battlefield, and Laura Branigan’s Self Control. Sade make a rare outing on a remix compilation with the extended version of Sweetest Taboo, and the Pet Shop Boys‘ Love Comes Quickly, which somehow peaked at a lowly number 19 in the UK back in the day, is included in full-length Shep Pettibone Mastermix guise.

His multi-award-winning recordings and dazzling concert performances have long established Jean-Efflam Bavouzet as one of the most outstanding pianists of his generation. This latest album – the tenth – in his cycle of the complete Haydn sonatas is built around the Grand Sonata in C major, Hob. XVI: 50, a late work the first movement of which is one of the most highly developed that Haydn ever conceived for the keyboard. Bavouzet has surrounded this with less well-known works: Two very early sonatas (Nos. 3 & 4) provide a stark contrast to the later works (Nos. 28 & 45). The album ends with the Arietta con 12 Variazioni. Bavouzet notes ‘ The Variations in E flat major and the Sonata in A major, Hob. XVI: 30, were for me the marvellous revelations of this programme.

For better or worse, Germany's Compost Records has been the benchmark and barometer for measuring the state of downtempo/chillout. While trends in downtempo music have altered and evolved since the inaugural installment of the Future Sounds of Jazz series, one thing has remained consistent: the series has provided quality compilations featuring some of electronic music's most respected downtempo producers alongside up-and-coming talent. This tenth installment, mixed carefully by label owner Michael Reinboth and labelmates Beanfield, features the same high-quality acid jazz, downtempo, and drum'n'bass that devotees of the label have come to expect from the series. Contributions from minimal techno maestro Ricardo Villalobos and jazz legend Cal Tjader (remixed ably by Reinboth)…

Hyperion’s Bach Transcriptions series shows Bach through the fascinating prism of the Romantic musical mind. This latest volume presents the complete transcriptions by Saint-Saëns, and the programme is interspersed with transcriptions by the elder composer’s friend and disciple, Isidore Philipp. Saint-Saëns was one of the many composers inspired by the continuing publications from the Bach-Gesellschaft, which made many of Bach’s works available in print for the first time, particularly the extraordinary church cantatas.

Rossini considered the ‘mezzo’ voice to be his ideal, stating that ‘the contralto is the norm against which the other voices and instruments of the composition must be gauged.’ Containing numerous premiere recordings, this penultimate release in Alessandro Marangoni’s acclaimed traversal of Rossini’s complete piano music is vibrant with national colours from France, Italy and Spain, and rich in emotions of sadness and love, from the tragic Adieux à la vie! sung on a single note, to the sustained operatic embellishments of Questo palpito soave.

Haydn’s first 10 keyboard sonatas are unpretentious, inventive little gems. While they were written with the harpsichord in mind, Jeno Jando makes them sound perfectly pianistic without touching up the scores. On paper the left-hand parts don’t look terribly stimulating or special. Jando, however, shapes them in a way that articulates harmonic motion so that the steady rhythm never feels square. Fast movements are taken at dangerous clips, yet the scales and runs don’t smudge or misalign one iota. Add Naxos’ superlative engineering and you’ve got the finest volume so far in Jando’s Haydn cycle. Highly recommended.