Nuts & Bolts Vol 10

A massive collection with faszinating mystic sounds from Africa, Asia and Orient. "Buddha Deluxe Lounge" with his 50 trax slides you in a faszinating mystic mood. Exotic instruments, mystic vocals phrases, a mystical journey into another world. Special Highlights at this compilation are from: Frank Borell, Sean Hayman, Asian Chill Art, DJ Maretimo, Cafe Americaine, Noise Boyz, Thermodynamics and many more. Enjoy "Buddha Deluxe Lounge Vol.10" …50 mystic bar sounds!

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 10 (1949-1950) {Philology W 200.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 391 Mb | MP3 @320 -> 187 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb | 5% repair rar
© 1949-1950, 1999 Philology | W 200.2
Jazz / Bop / Bebop / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.

Saint-Germain-des-Prés Café is a series of nu-jazz compilations distributed by Wagram Music. Its name evokes the cafés of the area in Paris associated with the existentialism movement.

Perfectly judged performances, intelligently planned recitals, informative booklet notes and, throughout, accompaniments from a true master of the art: this final release in the songs of Brahms epitomizes all the familiar virtues which have distinguished the series.

Nagasawa delivers technically impressive and musically inspired interpretations. I am less enthusiastic about the orchestra whose playing I sometimes found rather dull, dynamically a bit flat and not very colourful. Even so, this disc deserves a positive reception because of the quality of the music and the performances by Masumi Nagasawa on a beautiful historical harp.

Discover the difference, experience the Sound! This is the slogan of our jubilee compilation 10 Years Neuklang. This album features a selection of pieces, which illustrate the diversity and quality of our productions over the last ten years.

The tenth volume of the complete recording of Bach's cantatas contains a final group of works (BWV 44, 73, 119 and 134) from the first cycle of 1723-1724. It continues with the first of a substantial series of chorale cantatas that give the second Leipzig cycle of 1724-1725 its particular character. This volume ends with the serenata BWV 134a, which completes the secular cantatas in Volumes 1 to 3; it provided the musical model for the Easter cantata BWV 134, which was composed in 1724. Bach's commitment in composing this second cycle of cantatas went well beyond his undertaking in the previous year. Whereas in the first cycle, existing cantatas from the Weimar period could be found alongside new pieces, the second cycle contains a sequence of newly composed works that continued uninterrupted until the spring of 1725.

For many jazz fans, the high point of Art Pepper’s late-’70s comeback was a fournight stand at New York’s Village Vanguard that was recorded for Contemporary Records and released, at first, as four albums, and later as a nine-CD set. These rangy, sometimes raucous performances with pianist George Cables, bassist George Mraz and drummer Elvin Jones, captured the questing, Coltrane-inflected sound of his later years, while still reflecting the lyric, bop schooled virtuosity of his early work.

After eight discs with the 32 numbered sonatas, and a ninth comprising the early sonatas and sonatinas, Ronald Brautigam now embarks on the second leg of his traversal of Beethoven’s complete music for solo piano. In this volume he gives us the complete Bagatelles, and includes not only the three sets published during Beethoven’s life time, but also thirteen further pieces composed throughout Beethoven’s career, between 1795 and 1825. Some of these pieces, most famously ‘Für Elise’, are sometimes referred to as Bagatelles, others simply as Klavierstücke and several of them are only known by their tempo markings.