Brandon Wright avoids many of the mistakes made by young jazz artists on their debut recordings as leaders. Recruiting a band that is heavy with veterans, including trumpeter Alex Sipiagin, pianist David Kikoski, bassist Hans Glawischnig, and the heavily in-demand drummer Matt Wilson, the tenor saxophonist is stimulated by the wealth of experience surrounding him…
The sum total of the nuanced, elliptical lyricism at the heart of Paul Motian's compositional method can be heard in the opening seconds of "Osmosis Part III," the first track from I Have the Room Above Her. Recorded for ECM – with producer Manfred Eicher, guitarist Bill Frisell and saxophonist Joe Lovano – this date is Motian's first as a leader for the label in more than 20 years. This is the same team that recorded the seminal album It Should've Happened a Long Time Ago in 1984. At that time, Lovano and Frisell were just beginning to establish themselves as bandleaders though they had each recorded under their own names. The weight placed on each member of this band is tremendous since standard rhythmic and harmonic anchors such as bass and piano are absent.
Ray Russell has had quite the glittering career. Setting off at age 15 with the John Berry Seven, the guitarist went on to play with the Graham Bond Organisation and then Georgie Fame & the Blue Flames. Eventually, Russell would lend his talents on-stage and/or in the studio to a plethora of performers, from Tina Turner to Lulu, the Bee Gees to Phil Collins, and branching out in the '70s to compose for the small screen. Amidst this busy career, Russell also put together the odd band, like the Running Man, whose sole, eponymous album was released with little fanfare in 1972. The core trio of Russell on both guitar and bass, vocalist/organist Alan Greed, and vocalist/drummer Alan Rushton was supplemented by Harry Beckett on trumpet and flügelhorn and the late Gary Windo on tenor sax.