Odds && Sods

Odds & Sods, a compilation of outtakes and rarities from the Who's first decade, is a rather jumpy listen that harbors few songs that could be termed top of the line. Also, since its 1974 release, several of the tracks have been issued on other compilations…

Peter Banks was one of the original members of YES and an accomplished guitarist, but sadly passed away in 2013. This set is being released in his memory, by his Estate, during the 5th anniversary of his passing and the 50th Anniversary of YES. This is the FIRST EVER mainstream release of the “Harmony in Diversity” recordings.

This surprisingly consistent collection of unreleased material compiles a series of demos and outtakes recorded by Ken Hensley, a singer and songwriter best known for his work with Uriah Heep, between 1971 and 1982. Odds and sods compilations are often a dicey proposition, but From Time to Time manages to beat the odds with an effective combination of polished songcraft and inspired performances: The studio outtakes all boast fully realized productions (some even including a string section) and the demos aspire to studio quality thanks to tight arrangements that often differ from the released versions ("If I Had the Time" forsakes the space rock excesses of the Uriah Heep version for a lovely, country-flavored mid-tempo pace).

This surprisingly consistent collection of unreleased material compiles a series of demos and outtakes recorded by Ken Hensley, a singer and songwriter best known for his work with Uriah Heep, between 1971 and 1982. Odds and sods compilations are often a dicey proposition, but From Time to Time manages to beat the odds with an effective combination of polished songcraft and inspired performances: The studio outtakes all boast fully realized productions (some even including a string section) and the demos aspire to studio quality thanks to tight arrangements that often differ from the released versions ("If I Had the Time" forsakes the space rock excesses of the Uriah Heep version for a lovely, country-flavored mid-tempo pace).

This surprisingly consistent collection of unreleased material compiles a series of demos and outtakes recorded by Ken Hensley, a singer and songwriter best known for his work with Uriah Heep, between 1971 and 1982. Odds and sods compilations are often a dicey proposition, but From Time to Time manages to beat the odds with an effective combination of polished songcraft and inspired performances: The studio outtakes all boast fully realized productions (some even including a string section) and the demos aspire to studio quality thanks to tight arrangements that often differ from the released versions ("If I Had the Time" forsakes the space rock excesses of the Uriah Heep version for a lovely, country-flavored mid-tempo pace).

Less a greatest-hits set than an odds and sods collection, this eponymous release was compiled nearly a year after Coroner's breakup. Forced by record company Noise to honor their contract, the band's original members temporarily reunited under less than cooperative circumstances (drummer Marky Edelmann was especially difficult, forcing the recruitment of a replacement for some tracks), and it's no small wonder that anything resembling a complete career wrap-up was achieved…

Buying time and thwarting bootleggers, Nirvana and DGC released the rarities compilation Incesticide toward the end of 1992. Like any odds'n'sods collection, this is uneven, but that's its charm since it captures Nirvana's character better than any official album. After all, this was a band that was born equally from '70s sludge metal, bubblegum pop, post-punk artiness, and indie rock inclusiveness, each of which are apparent on this collection…