oe Moran

Paul Moran high energy Hammond B3 organ Paul Moran – SMOKIN’ B3, VOL. 2 STILL SMOKIN’: I make “new” musical discoveries every single day (with the help of some excellent promoters, I might add)… Paul’s latest album is one of those, to be sure… in addition to his excellent Hammond organ work, he also plays trumpet & flugelhorn; the instruments & players in support of this marvelous music are – Electric and Acoustic Guitar- Nigel Price, Electric Bass- Laurence Cottle, Drums- Mez Clough, Percussion- Michael Osbourne, Electric Guitar- Jim Mullen Drums Adam Roman, Percussion- Jeff Scantlebury… just listen to the high-energy performance on Paul’s original composition, “Ruby Blues“, & you’ll be rockin’ right along with him & his krew in only a couple of bars. (the samples should go HOT on the release date, 29 September, 2017).

A milquetoast young man of society toughens up once he's shanghaied and falls for the captain's tomboy daughter.

A contrasting selection of moods portrayed in a contemporary style. Track 1 is more commonly known in the UK as the theme tune to the BBC TV series "Angels".

Taking Turns, recorded in New York’s Avatar Studio a decade ago, finds Danish guitarist Jakob Bro joined by a multi-generational cast of improvisers, highly distinctive players all. Lee Konitz, Andrew Cyrille, Bill Frisell, Jason Moran and Thomas Morgan lend their energies to a session that bypasses conventions of the “all-star” band and puts the emphasis on teamwork. Bro’s space-conscious music encourages fresh responses: an atmospheric hint, or a fragment of gentle melody, opening up new trails to explore. “My compositions are about catching a glimpse of a feeling, sketching it down and then unfolding it as we record”, said Jakob Bro at the time.

The Bandwagon (2003) is a highly regarded album by the American jazz pianist Jason Moran and his trio, The Bandwagon. Moran is known for his innovative approach to jazz, combining elements of traditional jazz with contemporary and avant-garde influences. The Bandwagon is considered one of his standout works, demonstrating his ability to bridge jazz history with modern sensibilities.

Don’t Trust Mirrors marks one of the most transformative chapters in New York-based composer and producer, Kelly Moran’s career. In 2019, fresh from touring her Warp debut Ultraviolet, she began shaping a more rhythmic follow-up inspired by late nights on the dancefloor. But personal upheaval and the halted tours of the pandemic redirected her path, leading first to 2024’s Moves in the Field, praised by The New York Times as “softhearted but steel-skinned.” Now Moran returns to the project she once paused. Don’t Trust Mirrors explores distortion, reflection, and the slow work of piecing yourself back together. Featuring Warp labelmate Bibio, its 10 tracks shimmer with textural refractions — an immersive journey towards self-reconnection and focus.

Don’t Trust Mirrors marks one of the most transformative chapters in New York-based composer and producer, Kelly Moran’s career. In 2019, fresh from touring her Warp debut Ultraviolet, she began shaping a more rhythmic follow-up inspired by late nights on the dancefloor. But personal upheaval and the halted tours of the pandemic redirected her path, leading first to 2024’s Moves in the Field, praised by The New York Times as “softhearted but steel-skinned.” Now Moran returns to the project she once paused. Don’t Trust Mirrors explores distortion, reflection, and the slow work of piecing yourself back together. Featuring Warp labelmate Bibio, its 10 tracks shimmer with textural refractions — an immersive journey towards self-reconnection and focus.