Oh Hiroshima is a guitar driven post-rock quartet originally from Kristinehamn, Sweden. Through a thoroughly heartfelt sonic output, that manage to mix powerful energetic crescendos with tender melodies and atmospheric vocals, the band marks itself as one to follow. What started out as a duo recording project that resulted in a couple of self-produced Eps, later transformed into a full-fledged post-rock act with the release of debut album ‘Resistance Is Futile’ in 2011. The band followed up with sophomore album ‘In Silence We Yearn’ in 2015; a record that saw the band pushing their artistic vision into a more unified frame while still maintaining an appealing diversity with each song…
Oh Hiroshima have been working four long years on their third studio album – four intense years that blossomed into Oscillation. In 2019 the Swedes` tools are still abstract guitar work, dreamlike vocals and a hint of Electronica, and this time around none other than Magnus Lindberg (Cult Of Luna) delivered the final layer in shape of mastering duties. The seven new soundscapes receive their dynamics from soaring guitars and rather dense song structures (quite unusual in terms of post rock): The result is an album like a beautiful fever dream that holds the listener enthralled for a long, long time.
Tago Mago (1971). With the band in full artistic flower and Damo Suzuki's sometimes moody, sometimes frenetic speak/sing/shrieking in full effect, Can released not merely one of the best Krautrock albums of all time, but one of the best albums ever, period. Tago Mago is that rarity of the early '70s, a double album without a wasted note, ranging from sweetly gentle float to full-on monster grooves. "Paperhouse" starts things brilliantly, beginning with a low-key chime and beat, before amping up into a rumbling roll in the midsection, then calming down again before one last blast. Both "Mushroom" and "Oh Yeah," the latter with Schmidt filling out the quicker pace with nicely spooky keyboards, continue the fine vibe. After that, though, come the huge highlights - three long examples of Can at its absolute best…
On September 28th, ever-blunted hip-hop pioneers Cypress Hill will return with Elephants on Acid, their ninth album and first in eight years. The dank, fuzz-infused, acid-rock-inspired LP will be the first produced entirely by Muggs, the sonic architect behind landmarks like 1991’s Cypress Hill and 1993’s Black Sunday, since 2001.