Oldays

Pianist Eddie Cano spent most of his career connecting the dots between jazz and Latin styles. He found an appreciative audience for a series of albums under his own name released in the '50s and '60s by labels such as Atco, Reprise, and RCA, his following similar to that of vibraphonist Cal Tjader and bandleader Les Baxter. Cano also drew on dance crazes such as the cha cha and the Watusi to promote his efforts. His family was rich musically, Cano's father a bass guitarist, his grandfather a member of the Mexico City Symphony. Cano studied bass with his grandfather and private teachers, also studied piano and trombone, spent two years in the Army beginning in 1945, and then began hitting stages in a group led by Miguelito Valdés.

The Piper at the Gates of Dawn is the debut studio album by English rock band Pink Floyd, released 5 August 1967 by EMI Columbia. The only album made under founding member Syd Barrett's leadership, it takes its title from chapter seven of Kenneth Grahame's 1908 novel The Wind in the Willows, which refers to the nature god Pan, and was recorded at EMI Studios in London from February to May 1967 with producer Norman Smith. The band at the time consisted of Syd Barrett (lead vocals, lead guitar), Nick Mason (drums), Roger Waters (bass, vocals), and Richard Wright (keyboards, vocals). Barrett also served as the band's primary songwriter, though two tracks on the album are credited to the band collectively and one track was written by Waters. The album was produced by Norman Smith, who would go on to produce two more albums for Pink Floyd.

Psychedelic Percussion definitely sticks to his title. With the help from Paul Beaver of Beaver & Krause (famous keyboard wizard and sound engineer for the likes of Stevie Wonder), vibe master Emil Richards (check is two fantastic album on Impulse! with The Microtonal Blues Band featuring Joe Porcaro, father of the famed Toto brothers) and Gary Coleman (percussionist in the famous Wrecking Crew), Blaine goes wild in the studio with drums, gong, xylophone, organ, bongos, congas and timpani. Unusual textures and tones lead the way to 12 instrumental exotic numbers similar in a way to Raymond Scott most visionary experiments.

The Rising Storm were six guys attending Phillips Academy, a prep school in Andover, MA, between 1964 and 1967. Like lots of high school kids of the era, they figured playing in a rock & roll band would be good fun (and help them meet girls), so they started rocking school dances and mixers, and near the end of their run (which coincided with graduation), they decided to document their musical career by making an album. The resulting LP, Calm Before…, became a sacred text among New England garage rock collectors years later, and it's not hard to see why.

The Mothers Of Invention's Freak Out (2022 Japanese exclusive limited edition 17-track Mono CD, the debut album from Frank Zappa released in 1966, this edition includes the Bonus Single Version of Trouble Comin' Every Day and Who Are TheBrain Police?

"Wandering Blues," the driving opener throughout which Hooker keeps time loudly with his foot, should give listeners a sense of what to expect from Sings Blues. These spare, raw recordings, originally made for the King label (the subtitle reads "19 selections - every one a pearl"!), are Hooker at his finest. Hooker's primitive gutbucket electric guitar is the main ingredient here, and it is his hard-edged boogie playing that fuels the fire.
Though somewhat less of a growl than on later recordings, Hooker's voice is no less soulful or urgent. It seethes with dark energy on such cuts as "Heart Trouble Blues" and the pulsing "Nightmare Blues." This work is vintage electric-blues, as cuts like "Thinking Blues" and "Blue Guitar Blues" will attest. Taken together, the tracks on Sings Blues are excellent examples of the gripping synthesis of folk blues and electric power that marks Hooker's early work.

Brenda Lee's 1964 release is the perfect pop/country Christmas album! You'll find some classics, some new tunes that are now classics all delivered in Brenda Lee style. This album was released when I was almost 2 and has been on turntable for Christmas ever since. Perfect blend for the season.