Celebrating the 60th anniversary of Glenn Gould’s legendary Goldberg Variations.
Glenn Gould Remastered – The Complete Album Collection refurbishes Gould’s complete approved studio recordings using state-of-the-art Direct Stream Digital (DSD) transfer and 24 bit/96 kHz mastering technology in a 81 CDs limited edition. The 416 page book includes complete original liner notes (many penned by Gould himself), a wealth of facsimile documents, rare photographs, full discographical information, and a newly commissioned introductory essay by Gould scholar and biographer Kevin Bazzana.
As a child, Antoine Tamestit studied the violin, but at age 10, he fell in love with the six unaccompanied Cello Suites of J.S. Bach and immediately wanted to switch to the cello. His teacher advised him that playing that instrument would involve learning a completely new technique, so he was allowed to switch instead to the viola. Thus, Tamestit was able to play the suites as arranged for his present instrument, and because the viola has the tuning of C-G-D-A, Bach's originals have been transposed up an octave.
Sampling the three periods of Alexander Scriabin's music, Vadym Kholodenko presents a coherent and colorful program that includes a representative handful of the early preludes, two of the middle piano sonatas, a set of etudes, and three of the poems for keyboard. While Scriabin's music steadily evolved from his youthful Chopinesque phase and a transitional, impressionistic period, similar in evocative harmonies and effects to Debussy, to a nearly atonal and atmospheric style all his own, there was always a virtuosic complexity in his piano pieces that makes it challenging for performers and listeners alike.
The Quatuor Parisii was founded in 1981 by four Paris Conservatoire students, who played Milhaud's String Quartet No 4 in 1984 and promised Milhaud's widow Madeleine then that they would record all eighteen. They went on to win many prestigious competitions, remained together and completed this project last year. The performances are as good as you could reasonably expect (a few moments show a little strain) and are well recorded…….
Antonio Bazzini, violinist and composer, was born in Brescia on March 11, 1818. At the age of eight, he began to study the violin under the guidance of Fausto Camesani (or Camisani); at thirteen, he published his first composition; and at seventeen, he had six symphonies for great orchestra performed at the theatre of Brescia. In 1836, when he was eighteen, he was auditioned by Paganini, who encouraged him to embark on a career as a concert performer. From that time onwards, he was constantly successful. He held concerts in Germany, Italy, France, Spain, Denmark, England and Belgium. He met many contemporary composers, one of whom was Robert Schumann, who praised him saying: “Since many years no virtuoso has given me such an intimate joy and such pleasant, happy moments as Antonio Bazzini has done. It seems to me that he is too little known, and that, even here, he has not been appreciated as much as he deserves.” With this album the Quartetto Bazzini completes the recording of Bazzini’s string quartets (originally printed in the nineteenth century) started in 2018 with the previous album (TC810202).
Alfonso Ferrabosco the younger (b. Greenwich, c. 1575; bur. Greenwich, March 11, 1628) was an English composer and viol player of Italian descent. Although he gained access to the royal court as early as 1592, it took him almost 10 years to come to the attention of the queen, but in 1601 he became a member of the royal consort of viols. Ferrabosco marks the true beginning of the English Baroque. When Elizabeth I died in 1603, her successor James IV appointed Ferrabosco as music teacher to Henry, Prince of Wales and Ferrabosco continued to work in the king's service, becoming Composer of the King's Music in 1625, in 1626 succeeding John Coprario in the post of official court musician. The respect shown for him by his contemporaries proves that Ferrabosco was the court musician of his day, borne out by the fact that he was also the most copied.
The Brook Street Band secured their place on the musical map with their Avie debut of the world-premiere recording of Handel’s “Oxford” Water Music, a delightful chamber version of the evergreen work. A Gramophone Editor’s Choice sealed the Brook Street Band’s Handelian credentials. They further proclaim their allegiance to the baroque master with this, their follow-up CD of the charming Trio Sonatas, Op. 5. Handel was a renowned recycler of his own music and these informal works are full of one familiar tune after the other. Treated to The Brook Street Band’s effervescent interpretations, this disc is another winner for the all-girl baroque band.
Maestro Temirkanov is a frequent guest conductor of major orchestras in Europe and Asia including the Berlin Philharmonic, Vienna Philharmonic, Dresden Staatskapelle, London Philharmonic, London Symphony, Royal Concertgebouw Orchestra, Santa Cecilia, Rome and La Scala. In the USA, he conducts the major orchestras in New York, Philadelphia, Boston, Chicago, Cleveland, San Francisco and Los Angeles.