Oldelaf Luc

Monté pour la première fois sur scène il y a 25 ans, Oldelaf, vit depuis de multiples aventures scéniques, radiophoniques, télévisuelles, discographiques… mais dont le fil rouge est et restera la chanson (rappelez-vous « La Tristitude » ou « Nathalie Mon Amour Des JMJ »). Oldelaf nous présente aujourd’hui son 3ème album solo, Goliath, enregistré aux mythiques studios Ferber et réalisé par Régis Ceccarelli. Doté d’une production cinq étoiles, Goliath est un superbe hommage à la grande variété française des années 70 et 80, dont les chansons oscillent entre tendresse et humour, Oldelaf y parlant d’amour, de tolérance, de désir, d’absurdité… Bref, de lui et de nous !

Autumn 2017 marks the celebration of our 30th anniversary. It is to better serve our great Canadian musicians that the recording company Analekta was founded in 1987. Through the hundreds of albums and thousands of works recorded since its inception, Analekta has always strived to achieve perfection…

Jean-Luc Votano, principal clarinet of the Liège Royal Philharmonic (OPRL), here presents a work by a ‘classic’ figure of the twentieth century, the Kammerkonzert for clarinet, string quartet and string orchestra of Karl Amadeus Hartmann (1930), along with two compositions of the twenty-first: Magnus Lindberg’s Clarinet Concerto, of which Votano gave the Belgian premiere with the OPRL, and Fantasme – Cercles de Mana by Johan Farjot. The latter work, scored for clarinet, viola, cello and orchestra, here receives its world premiere on disc before being performed to a concert hall audience. An album that admirably reflects the virtuosity and musicality of one of the OPRL’s principal soloists.

Jean-Luc Thomas & Michel Godard - La Belle Femme Qui Pleure (2012) {Hirustica}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 300 dpi (png) -> 45 Mb | 5% repair rar
© 2012 Hirustica | HIR-081968
Jazz / Modern Creative / World Music / Flute / Tuba

In 1989 Jean Luc discovers the ebony flute. Self taught flute-player, he was among the first generation of musicians to integrate this instrument into festoù-noz groups (Traditional Breton dance music).
Through practice in Brittany and numerous trips in Ireland, he has acquired a strong technical knowledge and has developed his own style. He likes to bring people together and engaged them in an artistic and musical experience. Nowadays, he moves through rich musical environment from traditional to classical via jazz with Breton, Malian, Polish, Brazilian and Arabic musicians and dancers.
Jean-Luc is also a renowned teacher and regularly runs music workshop in Brittany and abroad.

Jean-Luc Fillon - Flea Market (2003) {Cristal-Adlib CR CD04-21}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 338 Mb | MP3 @320 -> 155 Mb
Full Artwork @ 600 dpi (png) -> 231 Mb | 5% repair rar
© 2003 Cristal Records / Adlib Production | CR CD04-21
Jazz / Contemporary Jazz / Oboe / Contrabass

Jean-Luc Fillon is a French oboist, English Horn player, double bass player, electric bass player, orchestra conductor and composer. He began in 1987 as oboe soloist in the European Symphonic Orchestra, and since 2001, Fillon has made numerous musical compositions that use the oboe and English Horn in jazz and improvisation.

Jean-Luc Godard - Nouvelle Vague
EAC+LOG+CUE | FLAC: 321 MB | Full Artwork: 284 MB | 5% Recovery Info
Label/Cat#: ECM New Series # ECM 1600/01 | Country/Year: Germany 1997
Genre: Jazz, Non-Music, Soundtrack | Style: Dialogue, Spoken Word, Contemporary

Even more extreme is the notion that an entire soundtrack ­ dialogue, music, sound effects ­ might be considered a musical event apart from the film and the venturesome German ECM label has just made this experiment with Jean Luc Godard's 1990 Film Nouvelle Vague. The French art film uses a wide variety of classical and pop music, from Hindemith to Patti Smith and the effect is that of brilliant collage. On the soundtrack disc, sound-effects intrude and modulate into music and voices, like electronic music. Music becomes part of real life, and the music invades the dialogue…