Oldelaf T'es Qui Toi ?

La chanson québécoise est un univers riche et passionnant par lequel s'exprime l'âme du peuple du Québec.

Jean-Luc Thomas & Michel Godard - La Belle Femme Qui Pleure (2012) {Hirustica}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 300 dpi (png) -> 45 Mb | 5% repair rar
© 2012 Hirustica | HIR-081968
Jazz / Modern Creative / World Music / Flute / Tuba

In 1989 Jean Luc discovers the ebony flute. Self taught flute-player, he was among the first generation of musicians to integrate this instrument into festoù-noz groups (Traditional Breton dance music).
Through practice in Brittany and numerous trips in Ireland, he has acquired a strong technical knowledge and has developed his own style. He likes to bring people together and engaged them in an artistic and musical experience. Nowadays, he moves through rich musical environment from traditional to classical via jazz with Breton, Malian, Polish, Brazilian and Arabic musicians and dancers.
Jean-Luc is also a renowned teacher and regularly runs music workshop in Brittany and abroad.

Gato Barbieri, one of the most distinctive instrumentalists in jazz, is in top form on Que Pasa. Barbieri's tone and sense of melody is stunning–evoking a myriad of emotions with just one phrase. This is no more evident than on the opening track, "Straight into the Sunrise" which is dripping with sensual and moving lines that are unsurpassed in jazz today. Barbieri's rare ability to use his instrument to convey his emotions is amazing; it's as though he is baring his most intimate thoughts and feelings to the listener.

Often referred to as the French Faust, FQM's album mixed collage, psychedelic rock, surreal poetry, and organically tapped noise purity with the absolute best of experimental 70s rock-and-beyond. Trixie Stapleton 291 is packed with ideas and little follies: you cannot find much actual music in it, but many of its solutions remind Faust and anticipate some of the Residents' best work. Sound collages, cut ups, short crazed piano pieces (sounding like Chopin on speed), white noises cranking up the stereo, all of these studio trickeries manage to create a mysterious, shadowy, ever shifting soundscape. The final effect is paradoxically much more in a proto wave vein than in a progressive one.