Playing sideman to Rick Braun, Larry Carlton, Gato Barbieri, the Neville Brothers, and many others introduced guitarist/vocalist Steve Oliver to smooth jazz fans, but it was with Steve Reid's band that Oliver found a following. It was 1996 when Reid contacted Oliver at the last minute to fill in for a canceled opening act. Oliver hit the stage as a solo act and Reid was impressed with the guitarist's vocalese skills and summery sound. Oliver had come to vocalese not through King Pleasure or Lambert, Hendricks & Ross, but through Bobby McFerrin and Pat Metheny's work with Richard Bona and David Blamires, who sang along with guitar solos. Being a fan of the earthy Metheny sound, Reid hired Oliver after the gig and featured him in his touring band. Reid's Mysteries and Passion in Paradise albums featured Oliver not only as guitarist but songwriter as well. Oliver struck out on his own in 1999 with his debut, First View, released by Night Vision. The album spawned three hit singles on smooth jazz radio and earned the guitarist a Debut Artist of the Year award from Smooth Jazz News.
Oliver Nelson was one of the more distinctive arrangers to be active in jazz, the studios, and popular music of the '60s. While most Nelson reissues focus on his always-excellent saxophone playing (whether on tenor or alto), this six-CD set, Argo, Verve and Impulse Big Band Studio Sessions, focuses on Oliver Nelson the arranger-composer-bandleader. He does take solos on some of these dates on tenor, alto,and soprano (his only recorded solos on that instrument), but it his writing that takes center stage.
Louis Armstrong's tenure as second cornetist to the great King Oliver is one of jazz history's legendary apprenticeships, on par with the one Miles Davis served with Charlie Parker or Stephane Grappelli's with Django Reinhardt. Sadly, only a handful of recordings survive from this formative period in Armstrong's career. This LP features 18 of King Oliver's 1923 recordings with Armstrong, as well as a bonus appendix consisting of seven tracks recorded in 1924 by the Red Onion Jazz Babies under Armstrong's sole leadership (and featuring, on one number, a very young Alberta Hunter). The performances are as red-hot as you'd expect, and include two King Oliver and Jelly Roll Morton duets.