Olivia Sacd

Come On Over is the eighth studio album by Olivia Newton-John, originally released on 29 February 1976. It peaked at number 2 on the US Country albums chart, and number 13 on the Billboard 200. The album was certified Gold. Come On Over was also a success in the Japanese market, reaching the number 2 position on the Oricon Albums Chart.

Physical is the ninth full-length studio album by the British-Australian-American singer Olivia Newton-John. The album was produced and partly written by her long-time record producer John Farrar. Recorded and mixed at David J. Holman's studio in Hollywood, California, Physical became one of Newton-John's most controversial and sexual records, and her most successful studio album to date. Musically, the album features considerable use of synthesizers, and it explores lyrical themes such as love and relationships, sex, kinesthetics, and environmental protection. Upon its release, the album received generally positive reviews from music critics, many of them considering it to be Newton-John's best work.

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.

Masaaki Suzuki, Bach Collegium Japan - Mozart: Great Mass in C minor / Exsultate, Jubilate (2016)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 71:17 min | PDF Booklet | 3,47 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | PDF Booklet | 1,61 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | PDF Booklet | 1,49 GB
Features Stereo and Multichannel Surround Sound | BIS Records AB # BIS-2171 SACD
As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.

"Phil Woods with Strings?" you may ask with a bit of apprehension. An album with strings, which is inevitably heavily arranged, is always a risky proposition for a jazz musician whose art depends above all on spontaneous improvisation. But Phil Woods, arguably the best alto sax player alive today, has done it many times in his 55-year career. What distinguishes this album is the core group: Wood's regular quartet featuring the young and brilliant pianist Bill Charlap. Also, they decided to go with a string quintet (two violins, two violas and one cello) instead of a larger string section. This probably worked to make the ensemble agile and more spontaneous. The first violinist even takes a few solos!

The fast rising Anglo-Asian singer-guitarist, Chlara, returns with an album of guitar-centric classy interpretations of her favourite pop classics, including Hotel California, Stuck On You and True Colors, alongside contemporary hits including Hello (Adele), Stay With Me (Sam Smith) and Jealous (Labrinth). Many of the songs have been a part of Chlara's live shows over the past few years, so working on the tracks on the studio was an easy fit.

This Left Feels Right is an album featuring new versions of Bon Jovi songs from previous albums. It's a "trip down memory lane" as Jon Bon Jovi described the album. It features revamped versions of many of Bon Jovi's biggest hits, often in a more somber style. Many of the 80's hard hitting chart-rockers are presented in a different light as soulful ballads.