The pieces recorded here have a common characteristic: they are all inspired by lines of poets who were born in Romagna or attracted by this enchanted land. On the one hand Pascoli and Moretti, on the other Panzini, who was practically a citizen of Rimini, and Carducci, who was an enthusiastic visitor in the countryside of Cesena. Romagna is the place where their respective memorial buildings stand, ranging from those in San Mauro Pascoli and Cesenatico to the Casa Rossa in Bellaria and Villa Silvia in Lizzano, above Renato Serra’s Cesena. These four houses actually have been united by a strong project, whose goal was to give rise to a musical competition under the aegis of the four illustrious men of letters. This was the origin of the “Primo Concorso internazionale di composizione lirica da camera su testi di poeti e scrittori di Romagna”, organised by n.o.t.a. Music, a cultural association that is quite zealous and innovative in the sphere of didactic and productive activities.
Pianist Omar Sosa and his band fuse divergent musical influences on the CD Prietos. Sounds from Morocco, Ecuador, Venezuela, Ivory Coast, Brazil, the United States, and Burkina Faso coalesce with musical sensibilities from Sosa's homeland of Cuba. Especially striking on Prietos is the intertwining of hip-hop verse with traditional sounding Yoruban lyrics and Afro-Cuban rhythms. Though the contrast between the urban U.S. art form and the time-honored Cuban tradition may appear to be bit incongruous, Sosa and his crew of talented musicians make it flow on such tunes as "Takes a Second."
Tales from the Earth by flutist, Mark Weinstein and pianist/vibraphonist, Omar Sosa, is one of the most extraordinary musical expeditions in a long time. The need for a subtext is not necessary; the extraordinary depth and ethereal beauty of the music would suffice. Nevertheless, once that subtext becomes evident, then the music touches parts of the body that much music might not. There is really no beginning and no end; this musical continuum needs only be entered with eyes wide shut and ears open; listening with the heart, soul, and every pore of the being is essential.
…Omar Faruk’s music is rooted in tradition, but has been influenced by contemporary sounds. He views his approach as “cosmic” and his commitment to music runs deep. The four corners of his creativity emanates mysticism, folklore, romance, and imagination. Like Omar Faruk himself, his music symbolizes diversity-in-unity.
While the connection between Cuban pianist Omar Sosa and Italian trumpeter Paolo Fresu was established back in 2006, their partnership truly blossomed with Alma (Ota Music, 2012), a beauty of an album with a soft sell approach. That record—quite possibly the most moving item in either man's discography—prioritized heart over all else, and this follow-up date follows suit.