Over the past couple of years while making their new album, Deerhoof have been asking themselves if there was any music they could create that expressed how our rapidly emerging future might actually feel. The band envisioned an album about people haunted by memory of a lost world and of every failed attempt to save it. People already living outside the system, already having practiced new ways of life required for survival - these hopeful heroes are Deerhoof's inspiration. These are the FTCA. Faithful listeners will recognize a certain alienated but transformational figure who shows up in Deerhoof songs going back to their earliest days.
In his extensive liner notes to this double-disc, Bill Fay claims that only David Tibet would have released Still Some Light, a collection of demos from 1970 and 1971 gathered from various sources, and a disc of new songs…
In his extensive liner notes to this double-disc, Bill Fay claims that only David Tibet would have released Still Some Light, a collection of demos from 1970 and 1971 gathered from various sources, and a disc of new songs. So it is Tibet we must thank as well. Fay is the British singer/songwriter whose first two albums - Bill Fay and Time of the Last Persecution - were issued by Decca in the early '70s to favorable reviews and poor sales. They disappeared until the 21st century, where they have been rightfully regarded as lost classics. The first disc in this collection features demos that Fay and his bandmates had lying about for decades. The fact that these relationships continued after the music stopped says a lot about all of the respect and trust for one another these men have. Fay plays piano, organ, acoustic guitar, and sings, while Alan Rushton is on drums, Daryl Runswick on bass, and Ray Russell on electric guitar…
Drummer Joe Farnsworth leads a stellar intergenerational sextet on his dazzling album, THE BIG ROOM featuring Jeremy Pelt, Sarah Hanahan, Joel Ross, Emmet Cohen, and Yasushi Nakamura.