The Art of Intimacy, Vol. 1 is the perfect album for Valentine’s Day season. Jazz trumpeter Jeremy Pelt takes us on a journey through songs expressing tenderness and endearment, while also performing less commonly known standards with his trio. Accompanied by pianist George Cables and bassist Peter Washington, Pelt “pours some old wine into new bottles” as he explores romantic classics like “Always on My Mind” and “I’ll Never Stop Loving You,” and sentiments of love on songs like “I’ve Just Seen Her,” “I’ll Never Stop Loving You,” and “While You Are Gone.” The Art of Intimacy, Vol. 1 is a must have for all you lovers out there!
Samantha Karen Fox (born 15 April 1966) is an English singer, songwriter, actress and former glamour model. In 1983, at age 16, she began appearing as a topless model on Page 3 of British tabloid newspaper The Sun, and continued as a Page 3 girl until 1986. During this time, she became the most popular pin-up girl of her era, as well as one of the most photographed British women of the 1980s…
Trumpeter Jeremy Pelt, 25 years old, has garnered notice since landing in New York, four years ago, for his superb charts and professionalism. Insight, his Criss Cross debut, demonstrates that he's also a composer with a point of view. Helping him articulate it are a take-no-prisoners ensemble of New York first callers, all 30-and-under with the exception of veteran drum avatar Ralph Peterson. Jimmy Greene is on tenor sax, Myron Walden on alto sax, with pianist Rick Germanson and bassist Vincente Archer.
This LP has the debut of drummer Marty Morell with Bill Evans and bassist Eddie Gomez, and this particular trio would retain the same personnel for six productive years. Actually, this is a quartet set with guest flutist Jeremy Steig, whose playing recalls Herbie Mann's recording (Nirvana) with Evans back in the early '60s. Both flutists were always open to the influences of pop and rock, although in both of their collaborations with Evans, the music is very much on the pianist's turf. With the exception of Evans' "Time Out for Chris" and the "Spartacus Love Theme," the songs performed on this date would fit securely in the Miles Davis repertoire of the late '50s. Steig is in particularly fine form on the program which includes tunes such as "Straight No Chaser," "Autumn Leaves," and "So What."
Wolastoqiyik Lintuwakonawa is the debut album by Canadian composer and tenor, Jeremy Dutcher – which involves post-classical rearrangement of his Wolastoq First Nation traditional music. Granted access to the Canadian Museum of History, Jeremy discovered wax cylinders from 1907 of his ancestors singing forgotten songs and stories that had been taken from the Wolastoqiyik Nation generations ago. The album is Jeremy’s contribution to his heritage and community in attempts to revitalize the Wolastoq language to the world, which has less than 100 speakers alive today. This collection of ground breaking post-classical arrangements is truly one of a kind and recalls the mood of Rufus Wainwright's operatic performance or the haunting pop of Anthony & The Johnsons.