op Oloop

When he wrote the cycle that was to change the musical course of the twentieth century, Arnold Schönberg wanted the 21 melodramas based on Albert Giraud's famous collection of poems to be 'spoken and sung' in the language of the country in which they were set, in keeping with the fledgling Berlin cabaret tradition… In doing so, he may not have appreciated the problems that the exercise would pose. The fate of Albert Giraud's verses is inextricably linked to Otto Erich Hartleben's free translation of them. It was in this version that they were most frequently set to music. Stripped of their rhymes and original metre, they are in fact another poetic work. When Darius Milhaud presented Schönberg with a French version recited by Marya Freund in 1922, the composer was disappointed and went so far as to say that he did not recognise his own work!

The young Novosibirsk-born pianist Pavel Kolesnikov has made a splash in London not only by virtue of his technical facility – perhaps nobody on the scene today can manage a perfectly smooth surface at low volumes the way he can – but also with unusual programming. Some may find his programs perverse, but there is generally some method to them, and in cases like the present one they may be revelatory. Beethoven's sonatas are routinely presented in various kinds of groupings, but it is rare indeed that they are put down in the middle of groups of small pieces, many of them "WoO," or without opus number.

This is a very familiar and yet purely rhetorical question, as proven by the centenary anniversary of the composer’s death. Wherever you go you can find concerts of his works and events or exhibitions in tribute of the great German musician. Brahms was very fond of Switzerland, particularly of Thun and the region around its lake, often finding musical inspiration on his long hikes here. It is thus particularly appropriate that Claves honor this gentle man and giant composer by symbolically presenting him with two bouquets of flowers to accompany some of his most beautiful chamber music. French painter Bernard Cathelin (born in 1918) has kindly allowed us to use two of his paintings for the covers of these two compact discs. His exquisite pictures visually capture the perpetual youth and colors of Brahms’ music.