Opera

This is the story of Phaéton, valiant driver of the Sun’s chariot, led here by Vincent Dumestre and Benjamin Lazar, armed with a rich acquaintance of two decades of Lullyist cooperation. Just like at the time, they will make the Versailles Opera resonate with this production of this flamboyant tragédie lyrique which was first presented in Perm in Russia in 2018.

Sony Music presents Top 40 Opera: The Ultimate Top 40 Collection - 37 classical opera gems including Montserrat Caballé, Placido Domingo, Anna Moffo and others.

An album as an opera. Pop music is theatrical, it lives on stories, constantly creating new characters of art. In addition, no other style has changed and influenced music reception as enduringly as pop music. Most people can draw biographical references on the map of pop mu-sic. So, it seems high time to open the doors of the opera to a new visitor. With its symphonic elements, dramatic singing lines and ethereal choir vocals, Vespertine seems to be the perfect model for the complex project. OehmsClassics begins the new partnership with the Nationaltheater Mannheim (NTM Edition) with a bang. Rarely has a premiere in Germany experienced such a press echo as this, in May 2018.

Following its successful full length opera, Artaxerxes, Classical Opera return with the first in an epic series of Mozart operas, Apollo et Hyacinthus. Named in The Guardian as one of ‘The Best Classical albums of 2012’. Classical Opera has mounted two staged productions of Mozart’s Apollo et Hyacinthus (1998 and 2006), with both receiving wide critical acclaim; The Independent stated, “Classical Opera’s polished debut in Apollo et Hyacinthus proved a pearl beyond price. Here was a work of staggering beauty riddled with sweet noises like Caliban’s enchanted isle.”

A daring wife disguises herself in order to be hired as a prison guard and thus rescue her unjustly detained husband: the story of Leonora, taken from the French novel by Jean-Nicolas Bouilly, is familiar to us through Beethoven’s only opera.

Donizetti's three-act tragic opera Belisario was a resounding success in its day, driven by its composer’s superlative theatrical instinct and his skilful interweaving of intense tragic narrative and emotional pathos. Belisario is betrayed by his wife Antonina, who falsely accuses him of high treason. Belisario is blinded and exiled, with proof of his innocence coming too late, and is mortally wounded during a final military victory. This production was performed and recorded without an audience in Bergamo during the Covid-19 lockdown in November 2020 – a moving performance reflecting a spirit of defiance amidst ruin and darkness.