Recorded and originally released in 1996, Rheo-Umbra is a two-part composition by Elliott Sharp for a typically bizarre ensemble consisting of electric harp, electric bass, two bass clarinets, percussion, sampler, string quartet, and electric guitar (along with the Slab, a somewhat guitarish instrument invented by Sharp himself). The first six minutes of "Rheo-Umbra 1" are built on a repetitive theme that is carried by the string quartet and muttered about, commented upon, subtly undermined and sometimes supported by the others.
Recorded and originally released in 1996, Rheo-Umbra is a two-part composition by Elliott Sharp for a typically bizarre ensemble consisting of electric harp, electric bass, two bass clarinets, percussion, sampler, string quartet, and electric guitar (along with the Slab, a somewhat guitarish instrument invented by Sharp himself). The first six minutes of "Rheo-Umbra 1" are built on a repetitive theme that is carried by the string quartet and muttered about, commented upon, subtly undermined and sometimes supported by the others.
Technodon is the eighth and final studio album to date by Yellow Magic Orchestra and released in 1993, a decade after the band's original breakup. Because the name Yellow Magic Orchestra was owned by former record label Alfa Records, the band were forced to release the album under the name YMO (typically stylized as the "YMO" initialism crossed out by a large "X"). For the tour that followed, they were billed as Not YMO. Future releases by the band would be made under the names Human Audio Sponge and HASYMO. At the time of recording, Haruomi Hosono and Ryuichi Sakamoto were incorporating many world music elements into their sound, which is still evident on Technodon, though slightly pared down and featuring simpler technopop arrangements. Yukihiro Takahashi mainly used drum machines for the record as opposed to a drum kit.
Larry Harlow's debut release in the Fania family, 1965's Heavy Smokin' helped to establish him in the New York salsa explosion as an authoritative yet non-Latino voice, very uncommon in the day. Considering the youth of the movement, there was not a long enough time line to produce informed, qualified converts; most of the music was being made by native sons. Harlow, working as a bandleader and recording for the premier salsa label in the world, and affectionately dubbed "el judío marvilloso" (the marvelous Jew), had clearly won the respect not only of fans, but also of the most important movers and shakers of the day.
The complete ambient downtempo and atmospheric collection Fahrenheit Project serie. All along this project, the diverse musical and geographical influences communicate with one another, evoke their rhythms, their harmonies and inspirations. Asura, Solar Fields, Aes Dana, Robert Rich, Vibrasphere, H.U.V.A. Network, Carbon Based Lifeforms and many more.