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A quinze ans, Harry entre en cinquième année à Poudlard, mais il n'a jamais été aussi anxieux. L'adolescence, la perspective des examens et ces étranges cauchemars…

Spécialiste des questions de psychologie et de société, la journaliste a rencontré des dizaines de jeunes retraités qui témoignent du vécu de leur passage à la retraite et de leur première année d'inactivité professionnelle. …

Récit de la restructuration du groupe Areva, leader mondial du nucléaire, un chantier titanesque décidé en 2015 qui aboutit à la création d'Orano. De Paris à Bruxelles, les contributeurs décrivent le management du groupe, le rôle des autorités françaises et européennes, les relations avec les partenaires sociaux et les clients ainsi que les projets d'avenir. …

The Historical Orchestra , a team directed by Martyna Pastusza specializing in historical performance, invites you to the world of French baroque music. In this era, political and artistic life on the Seine was focused on the stunningly lavish Versailles court of Louis XIV. The Sun King gathered around himself a great array of musicians who were extremely important to him- he danced in ballet shows himself- and the performances were not only a popular entertainment, but also a dramatized allegory of government. Of the composers presented on the album, only Michele Corrette was not associated with the royal court. Apart from him, the recording includes compositions of such celebrities as Jean Baptiste Lully, violin virtuoso and dancer, unparalleled gambist Marain Marais and famous organist François Couperin.

Francisco Lopez Capillas was born in 1608 in Mexico City, and studied plainchant and polyphonic composition at the Royal and Pontifical University before assuming the post of chorister and second organist at Puebla Cathedral in 1641. Although most of his significant works were composed toward the end of his life–and thus well into what is generally regarded as the baroque period–the Messe de la Bataille is, like many of his other works, ambiguous in its relationship to the musical innovations that were taking place in the old world at the time.