Orelsan Ailleurs

Son of a Czech prima ballerina and a famous American “secret agent,” Lemmy was raised on a farm, surrounded by horses, but was often on his father’s film sets, when he wasn’t playing violin or dancing in the Paris Opera Ballet School. But his natural tendencies led him down different paths. Lemmy traveled around the world and opened The Kabuki, one of the first Japanese restaurants in Paris, France.
During a prolonged stay in LA, he studied guitar and made friends with Harvard graduate Michael A. Lerner who became a screenwriter/director and Lemmy’s songwriting partner.
He writes screenplays and in commercials, documentaries and radio ads, his deep voice incarnates the archetypical charmer.
Lemmy has worked with Bruno Coulais writing & interpreting the title song for the film : Je préfère qu'on reste ami , as well as 2 songs in the film Brice de Nice.
Crazy about polo, he played in three consecutive French championships, and this passion inspired him to write a song and a screenplay.

A panoramic "wide screen" music, as cinema fans might say, and which sounds like the missing link between the grandeur of Richard Warner and the orchestral work of someone like Nick Cave.
This is the ambition underlying Rite of the End by the Polish composer Stefan Wesołowski, the second album to be released at Ici d'ailleurs after Kompleta in 2015.

Studio Album and Live Album recorded with National Orchestra of Bretagne conducted by Zahia Ziaouni.

As a fan of Nirvana's work for the last 20 years, "Live and Loud" at Seattle's Pier 48 has always been, for me and many others, a show held in very high esteem. MTV had broadcast 40 minutes of this show fairly regularly in the mid to late 90s, and this footage showed a band at the height of their powers - self-destructive, charismatic and angry. With the internet, fans began to discover that Nirvana had actually performed a far longer set than was originally broadcast.