Organo

Ensemble Les Nations - Filago: Sacri concerti a voce sola con la partitura per l'organo (2022) [Official Digital Download]

Ensemble Les Nations - Filago: Sacri concerti a voce sola con la partitura per l'organo (2022)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover & Digital Booklet | Time - 73:12 minutes | 644 MB
Classical, Sacred, Vocal | Label: Tactus, Official Digital Download

The Sacri concerti a voce sola. Con la Partitura per l’organo, published in Venice by Bartolomeo Magni in 1642, have been composed during Filago stay in Venice and follow a long silence in the author publications, according to what Filago himself writes in the preface. This is the fourth and last print of this author: the preceding volumes published in 1611 and 1619 contain polyphonic motets, and another volume, presumably published between these two, is lost. The volume of 1611 is extant in an incomplete copy.
Ensemble Les Nations - Filago: Sacri concerti a voce sola con la partitura per l'organo (2022)

Ensemble Les Nations - Filago: Sacri concerti a voce sola con la partitura per l'organo (2022)
WEB FLAC (tracks) - 280 Mb | MP3 CBR 320 kbps - 170 Mb | Digital booklet | 01:13:12
Classical, Sacred, Vocal | Label: Tactus

The Sacri concerti a voce sola. Con la Partitura per l’organo, published in Venice by Bartolomeo Magni in 1642, have been composed during Filago stay in Venice and follow a long silence in the author publications, according to what Filago himself writes in the preface. This is the fourth and last print of this author: the preceding volumes published in 1611 and 1619 contain polyphonic motets, and another volume, presumably published between these two, is lost. The volume of 1611 is extant in an incomplete copy.
Francesca Ajossa - Musica d'organo nella Sardegna dell'Ottocento (2017)

Francesca Ajossa - Musica d'organo nella Sardegna dell'Ottocento
Classical | WEB FLAC (tracks) & d. booklet | 57:56 min | 265 MB
Label: Tactus | Tracks: 14 | Rls.date: 2017

Francesca Ajossa, young and talented organist from Cagliari by the sophisticated technical and musical skills is the protagonist of this album entirely devoted to the music of the nineteenth century in Sardinia; a unique territory, so particular for its beauty and millennial history where music always occupied a prominent place. The few sources remained to witness the organ literature of the time show a unique fusion of influences of northern Italy, Lombardy and Piedmont organ school (mainly in large urban centers) with the ancient Sardinian folk tradition (passed down orally) that in the rural area outside the city consistently permeated church music.
Stefano Molardi - Claudio Merulo: Opera Omnia per Organo, Volume 1 (2004)

Stefano Molardi - Claudio Merulo: Opera Omnia per Organo, Volume 1 (2004)
EAC | FLAC | Image (Cue & Log) ~ 715 Mb | Total time: 63:47+73:41 | Scans included
Classical | Label: Divox | # CDX-70309/10-6 | Recorded: 2003

May 2004 was the 400th anniversary of the death of Claudio Merulo (1533-1604), a great organist and composer of the Renaissance. We are pleased to present the world première recording of his complete organ works. These works represent the complete range of musical development of compositions for keyboard instruments in the 16th century. Since their quality had no equal at that time, Merulo's opus is of immense importance for the history of music. Tapping the full potential of the then usual forms of expression and structure, Merulo a contemporary of Gabrieli and his colleague as ''maestro di cappella'' at the Marcus Cathedral in Venice was groundbreaking in a highly creative era.
Stefano Molardi - Claudio Merulo: Opera Omnia per Organo, Volume 2 (2006)

Stefano Molardi - Claudio Merulo: Opera Omnia per Organo, Volume 2 (2006)
EAC | FLAC | Image (Cue & Log) ~ 771 Mb | Total time: 68:42+77:29 | Scans included
Classical | Label: Divox | # CDX 70311/12 | Recorded: 2003

We are pleased to present volume 2 of the world premiere recording of the complete organ works of Merulo. These works represent the complete range of musical development of compositions for keyboard instruments in the 16th century. Since their quality had no equal at that time, Merulo's opus is of immense importance for the history of music. Tapping the full potential of the then usual forms of expression and structure, Merulo a contemporary of Gabrieli and his colleague as 'maestro di cappella' at the Marcus Cathedral in Venice was an important pathfinder in a highly creative era. And he opened up a new one: the Baroque period.
Milena Frigé - Alessandro Scarlatti: Toccate per Clavicembalo e per Organo (1995)

Milena Frigé - Alessandro Scarlatti: Toccate per Clavicembalo e per Organo (1995)
EAC | FLAC | Image (Cue & Log) ~ 509 Mb | Total time: 72:30 | Scans included
Classical | Label: Stradivarius | # STR 33386 | Recorded: 1993, 1994

Talented concert soloist Milena Frigé presents the toccatas of Scarlatti on the Tamburini Organ of Chiesa di Santa Bernardetta in Milan, and a Granziera Harpsichord modelled after a 1703 Grimbaldi instrument, representative of the instruments for which Scarlatti composed these works.
Federica Iannella - Morandi: Trascrizioni operistiche per organo (2016)

Federica Iannella - Morandi: Trascrizioni operistiche per organo (2016)
Classical | WEB FLAC (tracks) & d. booklet | 313 MB
Label: Tactus | Tracks: 15 | Time: 66:22 min

On this CD Tactus continues the rediscovery of the archive of the S. Cristina monastery in Senigallia were are preserved a large amount of manuscripts by composer Giovanni Morandi, friend and collaborator of Rossini, married to the famous opera singer Rosa Morolli (acclaimed interpreter of the works of Rossini, Mozart, Cimarosa and Paisiello) and organ teacher to the nuns of the same convent.
Roberto Loreggian - Vivaldi: Concerti appropriati all'organo (2001)

Roberto Loreggian - Vivaldi: Concerti appropriati all'organo (2001)
EAC | FLAC (tracks+.cue, log) | Covers Included | 56:45 | 287 MB
Genre: Classical | Label: Tactus | Catalog: TC 672215

Today we know that the reason for this penetration of Italian musical tastes into the small principality of Weimar lay elsewhere: the passion of the young prince Johann Ernst of Saxony for the Venetian concertos (and those of Vivaldi in particular). During the prince’s long period of study in Amsterdam, he had occasion to enjoy the exhibitions on the organ in the local Nieuwe Kerk by the blind virtuoso Jan Jacob de Graaf.
James D. Hicks, Seidi Palonen - Nordic Journey, Vol. 11 Nordic Anthology (2022) [Official Digital Download]

James D. Hicks, Seidi Palonen - Nordic Journey, Vol. 11 Nordic Anthology (2022) [Official Digital Download]
FLAC (tracks), Lossless [24bit-96kHz] | 3:54:25 | 3,92 Gb
Genre: Classical / Label: Pro Organo

American organist James D. Hicks continues his explorations of organ music by Nordic region composers with this 3-album set, played upon the Paschen Kiel pipe organ at Central Pori Church, Pori Finland. James D. Hicks is a concert organist living and working out of Califon, New Jersey, USA. A graduate of the Peabody Conservatory of Music, Yale University and the University of Cincinnati, Hicks has also studied at the Royal School of Church Music in the UK. Jim held liturgical positions throughout the country over the course of thirty five years, and now devotes himself to concert and recording projects.
Susan Alexander-Max - Domenico Zipoli: Sonate d'Intavolatura per Organo e Cimbalo (1716), Band II (2004)

Susan Alexander-Max - Domenico Zipoli: Sonate d'Intavolatura per Organo e Cimbalo (1716), Band II (2004)
EAC | FLAC | Image (Cue & Log) ~ 287 Mb | Total time: 67:41 | Scans included
Classical | Label: Albany Records | # TROY669 | Recorded: 2003

From the little that is recorded about Zipoli's life, we may understand that he pursued two paths during his lifetime: music and religion. At first it seems it was the religious road that led him to South America, but in fact, as well as wanting to take his vows in the order of the Jesuits, he was summoned to the New World because he was a musician as well as a missionary. As a child, he sang in the choir and was granted the support necessary to allow him to study in Florence. In 1709, he moved to Naples to study with Alessandro Scarlatti.