Orkiestra Taneczna

On his second album for Sony Classical violinist Luka Faulisi presents a highly individual interpretation of Vivaldi's pioneering masterpiece, 'The Four Seasons'. The violinist's cinematic approach to 'The Four Seasons' involved encouraging members of the orchestra to engage with the composer's onomatopoeic animal and nature sounds and adding percussion not found in the original scores. Faulisi has also opted to splice Vivaldi's concertos with three complementary works inspired by the seasons: a traditional Catalan melody made famous by Pablo Casals, 'El cant dels ocells'; the haunting 'Nocturne' by Lili Boulanger; and an excerpt from Tchaikovsky's 'The Seasons', 'October - Autumn Song', a piece of understated romanticism inspired by Tolstoy.

On his second album for Sony Classical violinist Luka Faulisi presents a highly individual interpretation of Vivaldi's pioneering masterpiece, 'The Four Seasons'. The violinist's cinematic approach to 'The Four Seasons' involved encouraging members of the orchestra to engage with the composer's onomatopoeic animal and nature sounds and adding percussion not found in the original scores. Faulisi has also opted to splice Vivaldi's concertos with three complementary works inspired by the seasons: a traditional Catalan melody made famous by Pablo Casals, 'El cant dels ocells'; the haunting 'Nocturne' by Lili Boulanger; and an excerpt from Tchaikovsky's 'The Seasons', 'October - Autumn Song', a piece of understated romanticism inspired by Tolstoy.

The years 1681-1767 constitute the frame of Telemann’s lifetime. He was an outstanding German composer who lived and worked in the late Baroque – the same age as the masters Bach and Händel. Although nowadays his famous contemporaries often overshadow him, in his lifetime he was known as one of the most productive and versatile musicians. After centuries of neglect, his character and creativity seem to be winning that respect once again.

This CD sketches a portrait of the musical reality of the British Isles during the first half of the 18th century. The eight concerti grossi in this programme have been chosen for the features they possessin common, a primordial position being accorded to the work of Francesco Scarlatti. These are pieces of Italian origin in sonata form; the concerto grosso being the émigré of this programme.