Orpheu Negro

Produced With Love is the extraordinary new album from UK legend Joey Negro: a buoyant, life-affirming, disco-inspired album that offers welcome relief from the grey-faced march of modern club music. Produced With Love is only the second ever Joey Negro album to be released, and the first for more than 20 years. And as the electronic music scene threatens to be overrun with faceless, bland and forgettable productions, Produced With Love proves that dance music with character still exists. And rather than rely on sampling older records, the overwhelming majority of music is newly recorded: a real rarity when it comes to modern disco and indicative of the level of detail involved in the project.

On May 28, 2023, composer György Ligeti would have turned 100 years old. French saxophonist Emile Parisien and Italian pianist Roberto Negro approach Ligeti's String Quartet No. 1 "Métamorphoses nocturnes" - with the means of improvisation and at the same time great respect for the original.

“The best new thing that has happened in European jazz for a long time” (Le Monde), Emile Parisien has formed a top-flight American-European sextet for this album, his seventh as leader or co-leader on ACT. The band will be touring in 2022, the year which also marks the tenth anniversary of Parisien’s first appearance on an ACT album.

Even though Helado Negro's music is always unmistakable, Roberto Carlos Lange has never repeated himself. On PHASOR, his ability to change, grow, and roll with life's highs and lows is at a peak. Lange recorded the album after trading Brooklyn's bustle for the considerably more easygoing creative mecca of Asheville, North Carolina, and the feeling of a fresh start is evident following the lockdown outpourings of 2021's acclaimed Far In. In the best possible way, PHASOR doesn't seem like as much of an effort as its predecessor. Everything on Helado Negro's eighth album feels serendipitous, from its sunny electronics to its mingling of psych-rock, jazz, and kosmische to the understated yet undeniable grooves that give Lange's musings a flowing foundation.

A Roberto Negro album is never something predictable or easily labeled; we had taken note of it a couple of years ago, listening to his piano alone, Kings and Bastards, we come back to observe it in his new work in which once again he puts together a very original, changeable and surprising work. He does so by expanding the already tested Dadada trio—with which he had published (Saison 3—) to a quartet, adding Valentin Ceccaldi's electric bass to his historic collaborators Emile Parisien on soprano sax and Michele Rabbia on drums and electronics, working on eight compositions of his own hand.

The box set 83:13, represents an innovative and bold new commitment of White and Black, as it is not common in the sector risk publish a work of this size, with 15 CDs in one box. But the label has chosen to make an effort: this album 83:13 wants to be a tribute and reminder of the past 30 years creating, editing, distributing dance music in Spain and in the world and has a comprehensive collection of topics that monitors progress dance music published by the company.

The box set 83:13, represents an innovative and bold new commitment of White and Black, as it is not common in the sector risk publish a work of this size, with 15 CDs in one box. But the label has chosen to make an effort: this album 83:13 wants to be a tribute and reminder of the past 30 years creating, editing, distributing dance music in Spain and in the world and has a comprehensive collection of topics that monitors progress dance music published by the company.