Reissue with the latest DSD remastering. Fine flowing modal music from Mine and his crew (a crack team of the usual j-jazz suspects) from back in '74. This was one of Mine's first outings after switching from alto to tenor and definitely one of his best ever. Also one of the first albums on the very righteous East Wind label. The stately lyrical second track (by Kikuchi) is a standout here, sandwiched between the two high-power numbers penned by Mine. The concept for the cover art is questionable (red gloop as a representation of chaos? Or maybe the art director used this image because s/he was clean out of chaos?). But when it comes to the music, there's nothing lacking here whatsoever!
Jason Eckardt steps forward with this Mode release as a fearless young proponent of modernism in all its complexity, a shining alternative to the prevalent eclecticism of our time. His Ensemble 21, formed in 1993, deserves acclaim as well, a unit seemingly out of step with the American musical landscape, and not surprisingly pursuing collaborations with Boulez's IRCAM and other European composers and musicians.
Dieter Mieir can’t be accused of rushing things. In spite of enormous success as vocalist with the legendary Yello, he released his debut solo album at the age of 69. The 12-track longplayer sounds like a magical sound-alchemy made of Chanson, Electro and Dub. Realised with various musicians and producers including Thomas Wydler (drummer in Nick Cave and The Bad Seeds), Nackt (producer for Mute recording artist Apparat), Ben Lauber (producer, synthesizer), Ephrem Lchinger (piano), Tobias Preisig (violine), Nicolas Rttimann (guitar), and electropunk pioneer & producer T. Raumschmiere aka Marco Haas.