Out of The Aftermoon

Maya Bouldry-Morrison, better known as Octo Octa, is undoubtedly one of the most compelling underground acts of the last decade. The New Hampshire-based producer is known for her vinyl-heavy DJ sets, hardware-based live sets, and hybrid hardware/software studio.

Contains songs from the first three Burritos albums, plus several unreleased tracks.
The greatest selling point on this "Best Of" collection is the incredible job the producer did in cleaning up and freshening the sound quality. One of the biggest problems with the original Burrito's releases was the often muddled and muffled sound and overbearing bass lines. The songs and the writing were always better than the quality of the studio versions. Not so here! I don't know how they did it, but every song here sounds better than the original version….clear, fresh, crisp treble tones are audible for the first time and the stereo separation seems more distinctive as well. They also did an outstanding and inclusive job in selecting the songs. Gram Parsons, Chris Hillman, and Flying Burrito fans should run, not walk, to add this to their collections!

The Derek Trucks Band is an American jam band founded by young slide guitar prodigy, Derek Trucks, who began playing guitar and touring with some of blues and rock music's elite when he was just nine years old. After experimenting as an adolescent with musicians he met between tours and recording sessions, Trucks founded The Derek Trucks Band in 1994. With family ties to The Allman Brothers Band, Trucks continued to experiment and play with others, carefully assembling his own band over a period of several years. Loosely based in his family home in Jacksonville, Florida, with Trucks as unquestionable bandleader, the band is made up of six individuals. Out of the Madness is the second studio album by American jam band The Derek Trucks Band, released on October 20, 1998. The album was recorded between June 14, 1997 – April 11, 1998 at Dockside Studios, Maurice The album is mainly re-arranged jazz and blues classics and the rest is original compositions by the band. Derek was eighteen years old at the time of the release of the album.

93 Feet East, Brick Lane, May 31, 2004: This was the first show of our May / June European Tour in 2004. We just come off a crazed US tour with Fourtet a month earlier, and a few months before that we did our first and very well-recieved tour of the UK after the big Wire article. Vibracathedral Orchesta & Jack Rose were also on the bill.

It’s been seven strange years since The Veils’ last studio album Total Depravity, and Finn Andrews has a new double LP to show for it. …And Out Of The Void Came Love is the result of this tumultuous period of injury, isolation and new life…

A groundbreaking jazz recording by the longtime Miles Davis collaborator Gil Evans highlights the latter's supreme and influential skills as a jazz orchestrator. This album is a brilliant example of Evans' ability to make a large orchestra sound like a smaller jazz combo using orchestrations that infuse the larger unit with the immediacy and spontaneity of the smaller.

The highly lauded and honored USD Chamber Singers, directed by Dr. David Holdhusen, bear a message of resilience to Navona Records with their newest release OUT OF THE ASHES, a collection of beloved choral works given a refreshing new voice. Featuring choral favorites like Biebl’s Ave Maria, Hogan’s Ain’t That Good News, and Whitacre’s Sleep, the Chamber Singers, like a phoenix, paint a narrative of rising from the ashes after a time of destruction, rising on the wings of a song.

Master and Commander, based on the hugely successful literary series by Patrick O' Brian, chronicles the adventures of Captain Jack Aubrey of The Royal British Navy. Musically speaking, the seafaring genre hasn't lived up to its expectations in a long, long time. For a world saturated with lore, shanties, and melodies inspired by the ocean, Hollywood remains unresponsive, uninspired, and bereft of the combination to Davy Jones' locker. One would expect a bombastic, heroic, and unforgettable motif to assist our protagonist in his exploits, but composers Iva Davies and Christopher Gordon provide nothing of the sort. The original portion of the score succeeds in riding wave upon wave of tension, but swashbuckling tales of the sea require a memorable tune, not just a storm of Taiko drums and washed-out strings. The composers fare better on a recurring folk medley, lovingly rendered by master violinist Richard Tognetti – fans of the novels on which the film is based know full well that Lucky Jack is a fiddle-slinging-bard of a captain – that captures the true spirit of being miles away from home with your mates and fending off ghostly freighters. The remainder of the soundtrack yields a tad more bounty, utilizing famous classical pieces from Mozart, Bach, and Boccherini to great effect, bailing out the brackish water intent on keeping this ship permanently docked.