The Dixie Highway originally connected Chicago to Miami – the first vital thoroughfare between the Midwest and the South – before eventually being replaced in the late 1920s by the U.S. Highway system. And while fragments of the original road still exist in Florida, Georgia, Tennessee and Ohio, it remains a route that carries echoes of its past as well as being an enduring symbol of American discovery, fortitude and pride. And on their new album Dixie Highway, southern rock icons The Outlaws take fans on what is literally and figuratively the ride of a lifetime
The Outlaws above the rocks of the Lorelei in Germany! In the summer of 1981, for the first time in Germany, what a statement about Southern Rock! 60 minutes full of unbridled joy of playing, bursting with power and endurance. ''The Eagle Has Landed'', the crew was Freddie Salem (guit./voc.), Hughie Thomasson (guit./voc.), Billy Jones (guit./voc.), David Dix (drums) and Rick Cua (bass) on the Lorelei on August 29th 1981.
Willie Nelson. Waylon Jennings. Kris Kristofferson. Jessi Colter. Bobby Bare. Jerry Jeff Walker. David Allan Coe. Cowboy Jack Clement. Tom T. Hall. Billy Joe Shaver. Guy Clark. Townes Van Zandt. Tompall Glaser. Today, all names synonymous with the word “outlaw,” but 40 years ago they started a musical revolution by creating music and a culture that shook the status quo on Music Row and cemented their place in country music history and beyond.
30 tracks from international psychobilly bands covering the songs of Russia's Meantraitors. Featured bands include The Magnetix, The Stockmen, Stressor, The Beat Devils, The Hellstompers, Evil Jokers, Mental Bait, The Grims, The Spoilers, The Chainsaw Charlies, Mosquito, The Squidbillys, Dice For Lights and many others.
A flute-bass duo is not an everyday occurrence on CD, let alone making up an entire release. Yet the combination of Jeremy Steig and Eddie Gomez in this 1975 concert works extremely well because of the virtuoso talent of both musicians, along with their obviously compatibility. They previously had worked together on the Bill Evans' album What's New and Gomez had recently departed Evans at the time of this recording.