Pacific Island

Rock Easy is the 2010 album by Hawaiian reggae band Maoli. This comes courtesy of Pacific Island Records.

Groovin' is the 2008 album by Hawaiian reggae group Maoli Music. Performing a style of music called Jawaiian, a blend of Hawaiian and Jamaican sounds, this contains a style that some love most. This came out through the Pacific Island label.

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”

In the '50s, pianist Martin Denny was playing a residency at an open-air nightclub in Hawaii when he and his band (including Arthur Lyman on vibraphone, Augie Colón on percussion, and John Kramer on bass) began incorporating the sounds of nature into their songs (Colón had a knack for emulating bird calls), as well as embracing melodies and arrangements influenced by the sounds of the Pacific and the Far East. Denny and his combo landed a record deal for their unique music, and the song "Quiet Village" became a major pop hit in 1958, kicking off a new style of music that was dubbed "exotica" for its use of unconventional sounds and moods. Denny was a common presence on the sales charts for the next several years, and this box set features eight albums by Denny on four CDs (two albums on each disc) chronicling his most popular and productive period. Eight Classic Albums includes the albums Exotica (1958), Exotica 2 (1958), Forbidden Island (1958), Primitiva (1958), Exotica 3 (1959), The Enchanted Sea (1960), Exotic Percussion (1960), and Romantica (1961).

Henry Jackman has been tapped to score the upcoming action adventure Kong: Skull Island. The film is directed by Jordan Vogt-Roberts (The Kings of Summer) and stars Tom Hiddleston, Samuel L. Jackson, Brie Larson, John Goodman and John C. Reilly. The movie follows a diverse team of explorers is brought together to venture deep into an uncharted island in the Pacific – unaware that they’re crossing into the domain of the mythic Kong. Max Borenstein (Godzilla), John Gatins (Flight, Real Steel), Dan Gilroy (Nightcrawler) and Derek Connolly (Jurassic World, Safety Not Guaranteed) have written the screenplay. Thomas Tull & Jon Jashni (Pacific Rim, Godzilla) are producing the project for Legendary Pictures, alongside Mary Parent (The Revenant, Noah).

"After more than two decades, these Swedish greats are still pushing the boundaries of music." THE REVUE.

Two CD set. Four albums plus bonus tracks from the master of exotica Martin Denny. Mono reproductions of the key albums that launched the space age bachelor pad music trend in the late 1950s. Complete with bird calls, deranged percussion, super cool vibes and Denny's distinctive piano. Including a host of hit records that launched a thousand copyists and ensured that the tiki trend, easy listening and the call of the islands would blossom. Featuring the super expensive (if you seek them out on vinyl) original mono mixes. It was 1957, down in Hawaii; some jazz guys had come in to take up the slack at the bar, playing subtle cool sounds while people drank and talked. It was the Hawaiian Village Hotel in Wakiki. The room was filled with palm trees and bamboo curtains, it was a sanctuary in the madness of the place, a stopping off point for the weary traveller, a refuge from reality. The band did long stints, fuelled by the free bar; the exotic setting slowly infused itself into their music, got under their skin. What started as a few bird calls amid the scraped percussion, shuffling drums, tinkling piano and offset vibes soon became the signature sound of the bar. The "sound effects", created by the players, increased and through chance, misfortune, rum and possibly initially boredom, exotica was born.

If you like Showband music you will love this offering. It is the usual cross section of chart hits of the time covered by various showbands as well as Irish country songs.