Packing Arms

Over 100 country, blues, pop and gospel titles covering all facets of the war featuring: The Louvin Brothers, Fats Domino, Jean Shephard, B.B. King, Gene Autry and dozens of other artists (even old Douglas MacArthur returns for a cameo!). Rarely heard documentary material including patriotic Public Service Announcements, field news reports and even a plea for blood donations from Howdy Doody! A heavily illustrated, full-color book containing extensive artist and song notes plus a Korean War history.

The Metropolitan Museum of Art houses one of the world’s largest and most comprehensive collections of works of art from antiquities to modern and contemporary material. Their preservation is a responsibility shared by the many individuals employed at the Museum who have direct contact with the collection on a daily basis. …

In 2002 the Transatlantic Radio label fortified their catalog with a 26-track anthology of historic sides by the Jean Goldkette Orchestra. Victor Recordings 1924-1928 neatly samples some of the group's best works by beginning in March 1924, a good nine months before Bix Beiderbecke first sat in, and ending in December 1928, more than a year after Bix had joined the ranks of Paul Whiteman's Orchestra, along with some of Goldkette's most capable players. During the mid-‘20s the Goldkette band played its best music in front of live audiences, using arrangements by Bill Challis. Studio recordings captured some of the magic in the form of sweet and hot dance music punctuated by period pop vocals. Rather than packing in a lot of alternate takes (which may be found on other equally fine collections), the folks at Transatlantic chose to lay out a sensible selection that accurately embodies what the Goldkette band was all about.

A characteristically humongous (8-CD) box set from the wonderful obsessive-compulsives at Bear Family, documenting the Killer's '60s tenure at Smash Records. Lewis made consistently good music during this period, but the combination of his personal scandals and the British Invasion made him a pariah to radio programmers until mid-decade, when he returned to his country roots. Highlights of the set include the entirety of a Texas live show, with Lewis and his crack band rendering various early rock standards at dangerously high (i.e., proto punk) speed, some excellent duets with his (then) wife Linda Gail, and gorgeous renditions of standards like Willie Nelson's "Funny How Time Slips Away" and Merle Haggard's "Lonesome Fugitive." Lewis fans with deep pockets should grab this one immediately…