The beloved, historic & previously unreleased recording by the famous Guitar Trio: Al Di Meola, John McLaughlin & Paco De Lucia – ‘Saturday Night in San Francisco’ will be released on July 1st, 2022.
In 1959, a family friend went to the home of Paco de Lucía and Pepe de Lucía where he made several recordings with a Grundig TK46 tape recorder. This tape disappeared in 1967 and, after a long search process, was rediscovered in 2022, when a restoration process started using AI tools. The historical value of this recording is incalculable and it gathers in 21 pieces an anthology of flamenco where most of its variants are represented (tangos, soleá, seguiriyas, bulerías…). It is, in short, the definitive recording to illustrate the transition from classical flamenco to modern flamenco as we know it today.
In 1959, a family friend went to the home of Paco de Lucía and Pepe de Lucía where he made several recordings with a Grundig TK46 tape recorder. This tape disappeared in 1967 and, after a long search process, was rediscovered in 2022, when a restoration process started using AI tools. The historical value of this recording is incalculable and it gathers in 21 pieces an anthology of flamenco where most of its variants are represented (tangos, soleá, seguiriyas, bulerías…). It is, in short, the definitive recording to illustrate the transition from classical flamenco to modern flamenco as we know it today.
Recorded on 25 and 26 April 1991 at the Teatro Bulevar Casa de Cultura in Torrelones (Madrid) and originally released in October 1991, it was a respectful flamenco vision of Spanish classical music in a flamenco style. In it, Paco de Lucía performs with the Cadaqués Orchestra, conducted by Edmon Colomer, the concerto for guitar and orchestra that Joaquín Rodrigo wrote under the title Concierto de Aranjuez. To complete the album, he recorded with Juan Manuel Cañizares and Jose María Bandera three pieces, arranged by Juan Manuel Cañizares, from Isaac Albéniz's Suite Iberia. The result was absolutely devastating and is one of the best known and recognised versions of Maestro Rodrigo's masterful work.
In 1959, a family friend went to the home of Paco de Lucía and Pepe de Lucía where he made several recordings with a Grundig TK46 tape recorder. This tape disappeared in 1967 and, after a long search process, was rediscovered in 2022, when a restoration process started using AI tools. The historical value of this recording is incalculable and it gathers in 21 pieces an anthology of flamenco where most of its variants are represented (tangos, soleá, seguiriyas, bulerías…). It is, in short, the definitive recording to illustrate the transition from classical flamenco to modern flamenco as we know it today.
Originally a flamenco player, Paco de Lucia helped to expand that music, folding in its complex harmonics and fluid sense of phrase and understatement. He expanded jazz by weaving in flamenco's more complex rhythms, organic melodies, and timbral slips. This 17-cut collection details de Lucia's development from the beginning of his second decade as a leader in 1965 to his more experimental and expansive period through the late '90s when he had come full circle and returned to flamenco properly. De Lucia's music was always rooted in flamenco even at its most adventurous; that thread was always audible, and this set proves that in a fascinating way. The music here can be jarring in its brilliance at times, but it is always clearly delineated and its purpose is direct, full of nuance, beauty, and fiery precision, as well as plenty of soul.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. It was the "boom" period of "Las Grecas", and some of their styles can be heard here, mostly in the "bulerias". "Soy caminante" was his album released in 1974. The picture on the front jacket cover is the same one used in the previous album, but with another shade and design. "Camaron de la Isla" appears in larger type than Paco de Lucia, whose "special collaboration" is reduced to "collaboration". Ramon de Algeciras continues to play second guitar. Antonio Sanchez still appears as the author in the credits.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The eighth album in Camaron de la Isla's discography with Philips record company, "with the special collaboration of Paco de Lucia" and Ramon de Algeciras on guitar. A varied summary of flamenco styles - from the Chacon taranta to El Mellizo tientos, with sevillanas and fandangos caracoleros in between - which was dubbed at the time as a "jewel of a record".
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. "The flamenco voice of the "cantaor" is sweet and inflicts pain as never before, and the guitars …never have accompanying guitars been heard like this on a record. Simply superb"