Fabulous guitar in name and fabulous guitar in sound; along with a carefully selected repertoire, which shows off a refined panorama of the Flamenco toque offering an intelligent variety of genres for this his first full length album as a solo artist. The titles of the tracks selected show his great connection to the land, offering us a selection of the fundamental styles of the Flamenco geography: ‘Triana’, ‘Cádiz’, ‘Punta Umbría’, ‘Jerez’, ‘La Unión’, ‘La Caleta’ and ‘El Tajo’. Recorded when Paco was just 19, in addition to the use of the Flamenco techniques of the time (reverb, echo, etc.), here there is a superb sense of the compass of Flamenco, a fabulous right hand technique (thumb, alzapua, strumming), dizzying picados and perfect legato of the left hand.
In 1982, Paco put on a series of concerts with jazz pianist Chick Corea. Corea was a considerable influence on him in the 1980s and he and McLaughlin adapted a version of his piece "Spain", performing it live together several times in the mid to late 1980s.
The Spanish master guitarist Paco de Lucía, whose death anniversary will be celebrated for the seventh time in 2021, is the focus of the new album by the Eos Guitar Quartet (Julio Azcano, Marcel Ege, David Sautter, Michael Winkler). For the four musicians, his music, his innovative power and not least their personal contact with him were a constant source of inspiration.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. Paco de Lucia , for the first time, does not appear in the picture showing us Camarуnn, now in the pose of a "star".
Hijo de Antonio Sánchez Pecino, de madre portuguesa y hermano del cantaor Pepe de Lucía. "Mi padre se iba a buscar la vida por las noches a las fiestas y siempre amanecía en casa con flamencos; mi hermano Pepe y mi hermana María también desde chiquitos han estado vinculados a este mundo. Vivíamos en La Bajadilla, un barrio muy gitano, siempre había alguien en casa cantando o tocando." Comenzó sus estudios de guitarra a los seis años. «A mi padre se lo debo todo pues me obligó a tocar desde niño cuando uno no tiene capacidad para decidir lo que quiere ser en la vida y necesitas a alguien que te empuje y te señale el camino. Eso fue lo que él hizo, entre otras cosas porque no tenía dinero para mandarme a la escuela. Tuve que buscar trabajo y llevar un sueldo a la casa».