Phish keyboardist Page McConnell and guitarist Trey Anastasio released December, a collection of six duo performances recorded at The Barn in Vermont earlier this month.
A six-disc archival set, Ventura chronicles summer concerts Phish gave at the Ventura County Fairgrounds in the back half of the '90s, by which time their status as the titans of jam was well-established. The first show here is from July of 1997, the second performed a year later, which means both arrived during the two-year gap separating 1996's Billy Breathes and 1998's The Story of the Ghost – two years where the band's popularity was on the rise and it certainly seemed like a crossover was perhaps within their sites.
Vida Blue shared an excerpt from “Weepa,” the fifth track on Crossing Lines, a new studio album due out September 20 via Phish keyboardist Page McConnell‘s Keyed Records imprint. The core band of McConnell, guitarist Adam Zimmon, bassist Oteil Burbridge and drummer Russell Batiste is joined by the Spam Allstars on the track.
Phish recorded the album with legendary producer Bob Ezrin (Pink Floyd, Lou Reed, Peter Gabriel) last fall, as the band's 30th anniversary approached. The songs for Fuego took shape during a series of visits to Phish's longtime creative hub, The Barn, a rustic, reconstructed barn-turned-rehearsal/recording studio located outside Burlington, Vermont. There they explored dozens of ideas, which led to a notable shift in the band's songwriting approach. While Fuego includes tracks that individual members brought to the table in usual Phish fashion, the bulk of the material was written by all four, working together at The Barn.
PHISH, a US band, was formed in 1983 at the University of Vermont by guitarist/vocalist Trey Anastasio, rhythm guitarist Jeff Holdsworth, and drummer Jonathan Fishman, later joined by bassist Mike Gordon. Jeff soon left the band (he found religion) and Page McConnell joined on keyboards, finalizing the lineup…
Comprising material from a trio of shows in Atlanta, this eight-disc box set captures Phish's ascent to jam band glory in early 1993. The group had begun touring national amphitheaters one year prior, joining bands like Widespread Panic and Blues Traveler for the first annual H.O.R.D.E. Festival…
This is a comprehensive collection with countless pivotal sessions. It features 203 separate recordings on seven CDs and collects both the sessions led by Chu Berry and other sessions where he contributed significantly as a sideman. You can study his remarkable surefootedness as a soloist; remember an era where evolution in the music was running rampant and Chu Berry's tenor saxophone was one of the things making it run.