In the spring of 1966, If You Can Believe Your Eyes and Ears represented a genuinely new sound, as fresh to listeners as the songs on Meet the Beatles had seemed two years earlier. Released just as "California Dreaming" was ascending the charts by leaps and bounds, it was the product of months of rehearsal in the Virgin Islands and John Phillips' discovery of what one could do to build a polished recorded sound in the studio – it embraced folk-rock, pop/rock, pop, and soul, and also reflected the kind of care that acts like the Beatles were putting into their records at the time.
Known in her heyday as "the blues sensation of the West," the big-voiced Sara Martin was one of the best of the classic female blues singers of the '20s. Martin began her career as a vaudeville performer, switching to blues singing in the early '20s. In 1922, she began recording for OKeh Records, cutting a number of bawdy blues like "Mean Tight Mama." She continued recording until 1928. During this time, Martin became a popular performer on the southern Theater Owners' Booking Association circuits, eventually playing theaters and clubs on the east coast as well. In the early '30s, Sara Martin retired from blues singing and settled in her hometown of Louisville, Kentucky. While she was in Louisville, she ran a nursing home and occasionally sang gospel in church. Sara Martin died after suffering a stroke in 1955.
Dinah Washington's first solo recordings (with the exception of a session supervised by Lionel Hampton in 1943) are included on this Delmark repackaging of her Apollo sides. Recorded in Los Angeles during a three-day period, the 12 selections feature the singer with a swinging jazz combo that has tenor-saxophonist Lucky Thompson, trumpeter Karl George, vibraphonist Milt Jackson and bassist Charles Mingus among its eight members. The 21-year-old Washington was already quite distinctive at this early stage and easily handles the blues and jive material with color and humor. Recommended despite the brevity (35 minutes) of the CD.
In 2013, David Byrne’s Luaka Bop label released Who is William Onyeabor?, a compilation of the obscure, but increasingly influential Nigerian musician William Onyeabor. Now (in 2014) follows a 9xCD box set that collects the entirety of Onyeabor’s recorded output.
This career-defining collection includes 3 different boxed sets: Limited Edition, Original Analog Edition & Digitally Remixed/Remastered Edition. We have also made a small quantity of each of these boxes in an Individually Numbered Series making it highly collectible and one of a kind. Each edition features 5 hit albums including No Fences, The Chase, In Pieces, Fresh Horses & Triple Live, plus CDs with bonus tracks for a total of 7 vinyl albums & 7 CDs in each edition.
Roots 'N Blues: The Retrospective 1925-1950 is a four-CD box set released on Columbia Records in June 1992. The set features five hours worth of early blues, folk/country and gospel recordings from a variety of American artists. Many of these recordings had never previously been issued in any medium.
An intriguing collection of rare cuts highlighting the sheer wealth of remarkable material that comes to light by digging that bit deeper into the country blues archive.
Amazing 100 CD Set of containing a plethora of Classic Jazz tunes. New Orleans was the starting point of the collective improvisation. The Jazz for which the city on the Mississippi Delta was to become so famous for developed at the beginning of the 20th century.